"Editorial abstract illustration evoking the emotional arc of a song titled "Gone" by U2. Noticeable climb from quiet to loud. layered composition, overlapping color planes. Mood: introspective, melancholy, rebellious. Visual style: early-1990s alternative aesthetic, weathered film grain. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format."
Balanced energy, right in the middle of 19,209 measured songs — measures out best for focus.
124
BPM
Gone by U2 is 124 BPM — Allegro (fast).
Half-time 62 BPM · Double-time 248 BPM · released 1997
Fan image for "Gone"
An abstract illustration of what this song feels like. Each image is built from a prompt — the text description fed to the image generator. Listeners submit their own prompts, upvote the ones that fit best, and the top-voted prompt drives the next regeneration. After 100 image votes, we make a new picture.
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Song DNA
Notes: Layered rock production with echoing guitars and driving rhythm creates a building intensity without extreme harshness; remixed versions smooth out some electronic edges for a more conservative instrumental feel.
Misophonia Triggers
Recommended for: deep listening emotional release
Gone is a reflective rock track from U2's Pop album, exploring themes of guilt, loss, and disillusionment in rock stardom with dynamic vocals and layered instrumentation.
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Hear it the way it was made
The right gear changes everything.
Moods: introspective, melancholy, rebellious
Traditions: alternative rock
Volume Warning
"Gone" climbs hard.
Dynamic range 7/10 places this in our upper band. The opening volume that feels comfortable will not be comfortable at the climax. If you are setting this up for a focused listen, anchor your volume to the quietest section, not the loudest. The arc is the point of the song; if you blunt it by riding the volume knob, you lose what makes it work. U2 built the dynamic shape on purpose. Plan around it.
How this song sits on each sensory axis
A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
Where this sits in U2's catalog
We have 82 songs from U2 in the library. Of those, 15 are rated Safe, 43 Moderate, and 24 Intense. This song's dynamic range of 7/10 sits above the artist average of 6.8, making it the #37 most dynamic track of theirs in our library.
Other tracks from Pop
We have 8 songs from this album. Overall, the album leans moderate in sensory profile.
- Discothèque — intense DR 8
- Staring at the Sun — moderate DR 6
- Mofo — intense DR 8
- Please — intense DR 8
- If God Will Send His Angels — moderate DR 4
- Last Night on Earth — intense DR 8
- The Playboy Mansion — moderate DR 6
1997 context
Released in 1997. We have 389 songs from that year in our library, averaging a dynamic range of 6.6/10. This track is about average than the year average. Explore more from the 1990s.
Explore by mood and tradition
Traditions
alternative rock · 991How fast is "Gone"?
124 BPM — Upbeat (dance-pop / running warm-up)
For running
Slow jog or recovery run pace. Matches a 120-140 stride-per-minute cadence.
For workouts
Steady cardio, power walking, light weights.
For daily life
Driving, getting ready in the morning, light party.
Browse more songs at 124 BPM.
When "Gone" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
✗
Focus / studying
No — too dynamic or too many surprises. Save for active listening.
✓
Running / workout
Yes — 124 BPM sits squarely in the running / cardio band. Matches natural stride cadence.
✗
Sleep / winding down
No — contains elements that will keep an awake nervous system engaged.
✓
Driving / road trip
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
✓
Cooking / dinner background
Yes — sits in the background without demanding attention.
✓
Emotional release / catharsis
Yes — this is a song for actively feeling what you came to feel, not for background.
Related reading
Editorial guides that cover this song's use cases, moods, or artist.
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I Listened to Every Radiohead Album Through a Sensory Lens — Here's What I Found
Radiohead's nine albums analyzed through dynamic range, texture, and emotional intensity — from Pablo Honey's raw stadium rock to A Moon Sha…
Nick Cave's albums ranked by emotional darkness — which one is your nervous system ready for?
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Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
This song in the Music Studio
53/100 intensity
See how “Gone” sits against your own sensitivities, or use it as a waypoint in a calmer set.
Listen on
Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 69% of songs, calmer than the other 31%. Its intensity reading of 53/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a fast, driving tempo: more extreme on that axis than 81% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Neighborhood #2 (Laïka) — Arcade Fire · 99%Joan of Arc — Arcade Fire · 99%Creature Comfort — Arcade Fire · 99%Carry the Zero — Built to Spill · 99%
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1997 in context
The 389 songs we’ve measured from 1997 average a dynamic range of 6.6/10. At 7/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
Intensity53
Dynamics67
Tempo47
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13
The 8-dimension measurement behind every rating on this page.
Frequently asked about "Gone"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "Gone" by U2?
"Gone" by U2 has a tempo of 124 BPM (Allegro (fast)). At half-time that is 62 BPM, and at double-time 248 BPM.
What is the sensory intensity of "Gone" by U2?
"Gone" by U2 rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Gone" — what is its dynamic range?
"Gone" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Gone" have sudden or surprising changes?
"Gone" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Gone" best for?
In our library "Gone" is recommended for: deep listening, emotional release. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Gone" released?
"Gone" is from 1997, on the album "Pop". It appears in our 1990s catalog.
What is the emotional mood of "Gone"?
We tag "Gone" as introspective, melancholy, rebellious. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Gone"?
The vocal style is dynamic vocals.
Is "Gone" good for running?
Yes — at 124 BPM it sits in the running-cadence band (120-180 BPM). Match your stride to the beat and it keeps pace with most recreational runners.
Is "Gone" good for studying?
Only partially. The song's dynamic range (7/10) means there will be loud moments that break focus during deep work.
Can I use "Gone" for sleep?
Not recommended for sleep. Contains transitions that will wake you up.
Should I listen to "Gone"?
"Gone" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
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Where to next?
You know how this one feels — now go find the next one.