It's Over album art

It's Over

Roy Orbison
More of Roy Orbison's Greatest Hits (1964)
Moderate 92 BPM
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Song DNA

Dynamic Range7/10
Sudden Changesmild
Texturelayered
Predictabilityhigh
Vocal Styledynamic vocals
Notes: Operatic rock ballad with building strings and pathos-filled vocals that evoke deep emotion without harshness. Smooth production with a throbbing, martial beat that crescendos gradually.

Misophonia Triggers

Mouth Soundsnone
Percussive Clicksmild
Breathing Soundsnone
Repetitive Micro-soundsnone

A dramatic 1964 operatic rock ballad about heartbreak, featuring Roy Orbison's soaring vocals, lush strings, and a building arrangement that topped charts in the UK.

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Hear it the way it was made

The right gear changes everything.

Moods: emotional, introspective, melancholy

Traditions: operatic rock, rock ballad

How this song sits on each sensory axis

A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.

Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.

Texture is layered — a full arrangement with clear separation between parts.

Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.

Vocal style: dynamic vocals.

Where this sits in Roy Orbison's catalog

We have 19 songs from Roy Orbison in the library. Of those, 8 are rated Safe, 11 Moderate, and 0 Intense. This song's dynamic range of 7/10 sits above the artist average of 6.2, making it the #8 most dynamic track of theirs in our library.

1964 context

Released in 1964. We have 132 songs from that year in our library, averaging a dynamic range of 6.1/10. This track is about average than the year average. Explore more from the 1960s.

Explore by mood and tradition

Moods
emotional · 2189introspective · 5721melancholy · 5399
Traditions
operatic rock · 2rock ballad · 14

Why this rating

We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.

Rating last reviewed: 2026-04-15. Reviewed by the Music I Want editorial team against the documented methodology.

Think this rating is wrong? Email the editor — every message is read and ratings get revised.

Frequently asked about "It's Over"

Quick answers pulled from the song's sensory analysis.

What is the sensory intensity of "It's Over" by Roy Orbison?

"It's Over" by Roy Orbison rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.

How loud is "It's Over" — what is its dynamic range?

"It's Over" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.

Does "It's Over" have sudden or surprising changes?

"It's Over" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.

What is "It's Over" best for?

In our library "It's Over" is recommended for: deep listening, emotional release, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.

When was "It's Over" released?

"It's Over" is from 1964, on the album "More of Roy Orbison's Greatest Hits". It appears in our 1960s catalog.

What is the emotional mood of "It's Over"?

We tag "It's Over" as emotional, introspective, melancholy. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.

What is the vocal style of "It's Over"?

The vocal style is dynamic vocals.

Should I listen to "It's Over"?

"It's Over" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.

Songs with the same DNA

layered texture, similar intensity — across any genre or era.

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I Want You to Love Me
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Safer alternatives with a similar feel

These songs share similar moods but with a gentler sensory profile.

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Broken-Hearted Girl
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