Song DNA
Misophonia Triggers
Ironic alternative rock track critiquing fame, showmanship, and commodification through distorted vocals and glam-infused production on R.E.M.'s Monster album.
Hear it the way it was made
The right gear changes everything.
Moods: introspective, ironic, rebellious
Traditions: alternative rock, glam rock
How this song sits on each sensory axis
A dynamic range of 6/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
Where this sits in R.E.M.'s catalog
We have 89 songs from R.E.M. in the library. Of those, 28 are rated Safe, 52 Moderate, and 9 Intense. This song's dynamic range of 6/10 sits above the artist average of 5.7, making it the #49 most dynamic track of theirs in our library.
Other tracks from Monster
We have 7 songs from this album. Overall, the album leans moderate in sensory profile.
- What's the Frequency, Kenneth? — moderate DR 7
- Bang and Blame — moderate DR 7
- Strange Currencies — moderate DR 6
- Crush with Eyeliner — moderate DR 7
- Let Me In — intense DR 8
- Tongue — moderate DR 6
1994 context
Released in 1994. We have 365 songs from that year in our library, averaging a dynamic range of 6.7/10. This track is quieter / less dynamic than the year average. Explore more from the 1990s.
Explore by mood and tradition
Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Email the editor — every message is read and ratings get revised.
Frequently asked about "King of Comedy"
Quick answers pulled from the song's sensory analysis.
What is the sensory intensity of "King of Comedy" by R.E.M.?
"King of Comedy" by R.E.M. rates as Moderate intensity. Dynamic range 6/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "King of Comedy" — what is its dynamic range?
"King of Comedy" has a dynamic range of 6/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "King of Comedy" have sudden or surprising changes?
"King of Comedy" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "King of Comedy" best for?
In our library "King of Comedy" is recommended for: deep listening, emotional release. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "King of Comedy" released?
"King of Comedy" is from 1994, on the album "Monster". It appears in our 1990s catalog.
What is the emotional mood of "King of Comedy"?
We tag "King of Comedy" as introspective, ironic, rebellious. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "King of Comedy"?
The vocal style is dynamic vocals.
Should I listen to "King of Comedy"?
"King of Comedy" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
What this song means to people
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