"Editorial abstract illustration evoking the emotional arc of a song titled "She's Leaving" by Orchestral Manoeuvres in the Dark. Modest rise and fall. balanced composition. Mood: melancholy, reflective. Visual style: 1980s editorial aesthetic, neon accents against moody ground. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format."
She's Leaving
Orchestral Manoeuvres in the Dark
Architecture & Morality (1982)
AI-analyzed — check another song
Deep calm, gentler than 91% of our 19,209 measured songs — measures out best for focus.
115
BPM
She's Leaving by Orchestral Manoeuvres in the Dark is 115 BPM — Moderato (moderate).
Half-time 58 BPM · Double-time 230 BPM · released 1982
Fan image for "She's Leaving"
An abstract illustration of what this song feels like. Each image is built from a prompt — the text description fed to the image generator. Listeners submit their own prompts, upvote the ones that fit best, and the top-voted prompt drives the next regeneration. After 100 image votes, we make a new picture.
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Song DNA
Notes: Minimalist electronic arrangement with drum machine, bass, organ, and synth creates a gentle, flowing backdrop without harsh elements or abrupt shifts. Smooth, predictable structure supports sensitive listening.
Misophonia Triggers
Recommended for: deep listening relaxation
A simple storytelling ballad reminiscent of The Beatles' 'She's Leaving Home,' featuring aching synths and emotive vocals over sparse electronic instrumentation.
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Hear it the way it was made
The right gear changes everything.
Moods: melancholy, reflective
Traditions: synth-pop
At a glance
"She's Leaving" by Orchestral Manoeuvres in the Dark
115 BPM, dynamic range 4/10, smooth texture, soft vocals. Sits in the middle band — neither built for stillness nor pitched at workout intensity. Whether it works for a given moment depends more on mood and lyrical content than on the acoustic profile. The full sensory breakdown follows.
How this song sits on each sensory axis
A dynamic range of 4/10 is within the normal pop-mix band. There is variation between verse and chorus, but it's the kind of variation most listeners encounter routinely.
Sudden changes: none. Transitions are musically signaled — nothing will surprise you if you're only half-listening.
Texture: smooth.
Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.
Vocal style: soft vocals.
Where this sits in Orchestral Manoeuvres in the Dark's catalog
We have 18 songs from Orchestral Manoeuvres in the Dark in the library. Of those, 8 are rated Safe, 10 Moderate, and 0 Intense. This song's dynamic range of 4/10 sits below the artist average of 5.6, making it the #16 most dynamic track of theirs in our library.
Other tracks from Architecture & Morality
We have 2 songs from this album. Overall, the album leans safe in sensory profile.
- Souvenir — safe DR 4
1982 context
Released in 1982. We have 211 songs from that year in our library, averaging a dynamic range of 6.5/10. This track is quieter / less dynamic than the year average. Explore more from the 1980s.
Explore by mood and tradition
Traditions
synth-pop · 396How fast is "She's Leaving"?
115 BPM — Upbeat (dance-pop / running warm-up)
For running
Too slow for most running; good for warm-up walks or cool-down.
For workouts
Steady cardio, power walking, light weights.
For daily life
Cooking, casual listening, cleaning, dinner music.
Browse more songs at 115 BPM.
When "She's Leaving" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
~
Focus / studying
Maybe — fine for routine work, but the mid-song changes may pull attention during deep focus.
~
Running / workout
Maybe — at 115 BPM this is more warm-up or cool-down pace than peak-effort running.
~
Sleep / winding down
Maybe — calm overall, but tempo is a bit high for deep sleep. Better for winding down than falling asleep.
✓
Driving / road trip
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
✓
Cooking / dinner background
Yes — sits in the background without demanding attention.
✓
Emotional release / catharsis
Yes — this is a song for actively feeling what you came to feel, not for background.
Related reading
Editorial guides that cover this song's use cases, moods, or artist.
Nick Cave's albums ranked by emotional darkness — which one is your nervous system ready for?
Nick Cave and the Bad Seeds made some of the most devastating music in rock history. But not all darkness is the same. This guide ranks his …
The 10 Calmest Albums Ever Recorded — A low-intensity Listening Guide
The 10 Calmest Albums Ever Recorded — A low-intensity Listening Guide — A guide for sensory-sensitive listeners on musiciwant.com
A Sensory Guide to Every Radiohead Album — From Safe to Intense
A Sensory Guide to Every Radiohead Album — From Safe to Intense — A guide for sensory-sensitive listeners on musiciwant.com
Why this rating
We rate this song Safe because its dynamic range stays within our low-variance band, there are no unsignaled changes, and the texture and vocal style are both in the low-fatigue range. Our methodology uses an AND rule for Safe — a song has to clear every dimension to earn the rating.
This song in the Music Studio
19/100 intensity
See how “She's Leaving” sits against your own sensitivities, or use it as a waypoint in a calmer set.
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Rating last reviewed: 2026-04-15. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
This sits near the calm end of everything we've measured — gentler than 91% of the 19,209 songs in the library. Its intensity reading of 19/100 comes from a dynamic range of 4/10, smooth texture, no sudden shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Not All Who Wander Are Lost — Lana Del Rey · 99%Fireproof — The National · 99%Pink Rabbits — The National · 99%Lady D'Arbanville — Cat Stevens · 99%
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Sleep9/10
Focus10/10
Workout1/10
Dinner7/10
Party / hype3/10
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1982 in context
The 211 songs we’ve measured from 1982 average a dynamic range of 6.5/10. At 4/10, this track is gentler and steadier than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
Intensity19
Dynamics33
Tempo42
Surprise0
Density0
Predictability0
Vocal force25
Trigger load0
The 8-dimension measurement behind every rating on this page.
Frequently asked about "She's Leaving"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "She's Leaving" by Orchestral Manoeuvres in the Dark?
"She's Leaving" by Orchestral Manoeuvres in the Dark has a tempo of 115 BPM (Moderato (moderate)). At half-time that is 58 BPM, and at double-time 230 BPM.
What is the sensory intensity of "She's Leaving" by Orchestral Manoeuvres in the Dark?
"She's Leaving" by Orchestral Manoeuvres in the Dark rates as Low-Intensity. Dynamic range 4/10, no sudden changes, smooth texture. Our Low-Intensity rating means no single dimension triggers the higher-intensity thresholds.
How loud is "She's Leaving" — what is its dynamic range?
"She's Leaving" has a dynamic range of 4/10. Within normal pop-mix variation. Movement between verse and chorus but nothing dramatic.
Does "She's Leaving" have sudden or surprising changes?
No. "She's Leaving" has no sudden unsignaled changes. Every transition is musically telegraphed.
What is "She's Leaving" best for?
In our library "She's Leaving" is recommended for: deep listening, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "She's Leaving" released?
"She's Leaving" is from 1982, on the album "Architecture & Morality". It appears in our 1980s catalog.
What is the emotional mood of "She's Leaving"?
We tag "She's Leaving" as melancholy, reflective. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "She's Leaving"?
The vocal style is soft vocals.
Is "She's Leaving" good for running?
Not really — at 115 BPM it's below most running cadences. Better for warm-up, cool-down, or walking. Recreational runners typically step at 140-175 BPM.
Is "She's Leaving" good for studying?
Yes — low dynamic range (4/10) and no sudden changes means the song stays in the background without pulling focus.
Can I use "She's Leaving" for sleep?
Not recommended for sleep. Dynamic range is too high — quiet moments will be ambushed by louder ones.
Should I listen to "She's Leaving"?
If you want gentle, low-arousal music, "She's Leaving" is a solid pick — Low-Intensity across every sensory dimension.
Songs with the same DNA
smooth texture, similar intensity — across any genre or era.
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Where to next?
You know how this one feels — now go find the next one.