Song DNA
Misophonia Triggers
A poetic meditation on romantic loss and acceptance, adapted from Constantine Cavafy's classical poem about Mark Antony's defeat.
Hear it the way it was made
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Moods: contemplative, introspective, melancholy, romantic, serene
Traditions: art rock, literary pop, singer-songwriter
How this song sits on each sensory axis
A dynamic range of 4/10 is within the normal pop-mix band. There is variation between verse and chorus, but it's the kind of variation most listeners encounter routinely.
Sudden changes: none. Transitions are musically signaled — nothing will surprise you if you're only half-listening.
Texture: smooth.
Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.
Vocal style: soft vocals.
Where this sits in Leonard Cohen's catalog
We have 51 songs from Leonard Cohen in the library. Of those, 32 are rated Safe, 18 Moderate, and 1 Intense. This song's dynamic range of 4/10 sits below the artist average of 4.3, making it the #27 most dynamic track of theirs in our library.
Other tracks from Ten New Songs
We have 2 songs from this album. Overall, the album leans moderate in sensory profile.
- Boogie Street — moderate DR 6
2001 context
Released in 2001. We have 324 songs from that year in our library, averaging a dynamic range of 6.3/10. This track is quieter / less dynamic than the year average. Explore more from the 2000s.
Explore by mood and tradition
Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Email the editor — every message is read and ratings get revised.
Frequently asked about "Alexandra Leaving"
Quick answers pulled from the song's sensory analysis.
What is the sensory intensity of "Alexandra Leaving" by Leonard Cohen?
"Alexandra Leaving" by Leonard Cohen rates as Moderate intensity. Dynamic range 4/10, none sudden changes, smooth texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Alexandra Leaving" — what is its dynamic range?
"Alexandra Leaving" has a dynamic range of 4/10. Within normal pop-mix variation. Movement between verse and chorus but nothing dramatic.
Does "Alexandra Leaving" have sudden or surprising changes?
No. "Alexandra Leaving" has no sudden unsignaled changes. Every transition is musically telegraphed.
What is "Alexandra Leaving" best for?
In our library "Alexandra Leaving" is recommended for: deep listening, emotional release, meditation, relaxation, sleep. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Alexandra Leaving" released?
"Alexandra Leaving" is from 2001, on the album "Ten New Songs". It appears in our 2000s catalog.
What is the emotional mood of "Alexandra Leaving"?
We tag "Alexandra Leaving" as contemplative, introspective, melancholy, romantic, serene. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Alexandra Leaving"?
The vocal style is soft vocals.
Should I listen to "Alexandra Leaving"?
"Alexandra Leaving" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
smooth texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
What this song means to people
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