Six Days at the Bottom of the Ocean
Song DNA
Misophonia Triggers
A pensive post-rock instrumental track characterized by slow builds, free-time breakdowns, near-silence, and layered guitars evoking murky depths and unresolved tension.
Hear it the way it was made
The right gear changes everything.
Moods: contemplative, introspective, melancholy
Traditions: post-rock
How this song sits on each sensory axis
A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: instrumental.
Where this sits in Explosions in the Sky's catalog
We have 32 songs from Explosions in the Sky in the library. Of those, 4 are rated Safe, 16 Moderate, and 12 Intense. This song's dynamic range of 7/10 sits below the artist average of 7.9, making it the #24 most dynamic track of theirs in our library.
Other tracks from The Earth Is Not a Cold Dead Place
We have 7 songs from this album. Overall, the album leans safe in sensory profile.
- Your Hand in Mine — intense DR 8
- The Only Moment We Were Alone — intense DR 9
- First Breath After Coma — safe DR 8
- Memorial — intense DR 9
- A Poor Man's Memory — safe DR 7
- Remember Me as a Time of Day — safe DR 7
2003 context
Released in 2003. We have 365 songs from that year in our library, averaging a dynamic range of 6.5/10. This track is about average than the year average. Explore more from the 2000s.
Explore by mood and tradition
Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Email the editor — every message is read and ratings get revised.
Frequently asked about "Six Days at the Bottom of the Ocean"
Quick answers pulled from the song's sensory analysis.
What is the sensory intensity of "Six Days at the Bottom of the Ocean" by Explosions in the Sky?
"Six Days at the Bottom of the Ocean" by Explosions in the Sky rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Six Days at the Bottom of the Ocean" — what is its dynamic range?
"Six Days at the Bottom of the Ocean" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Six Days at the Bottom of the Ocean" have sudden or surprising changes?
"Six Days at the Bottom of the Ocean" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Six Days at the Bottom of the Ocean" best for?
In our library "Six Days at the Bottom of the Ocean" is recommended for: deep listening, meditation, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Six Days at the Bottom of the Ocean" released?
"Six Days at the Bottom of the Ocean" is from 2003, on the album "The Earth Is Not a Cold Dead Place". It appears in our 2000s catalog.
What is the emotional mood of "Six Days at the Bottom of the Ocean"?
We tag "Six Days at the Bottom of the Ocean" as contemplative, introspective, melancholy. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Six Days at the Bottom of the Ocean"?
The vocal style is instrumental.
Should I listen to "Six Days at the Bottom of the Ocean"?
"Six Days at the Bottom of the Ocean" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
What this song means to people
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