Song DNA
Misophonia Triggers
Indie rock track with introspective lyrics, driving rhythms, and extended guitar passages characteristic of Built to Spill's ambitious song structures.
Hear it the way it was made
The right gear changes everything.
Moods: introspective, reflective
Traditions: indie rock
How this song sits on each sensory axis
A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
Where this sits in Built to Spill's catalog
We have 14 songs from Built to Spill in the library. Of those, 1 are rated Safe, 8 Moderate, and 5 Intense. This song's dynamic range of 7/10 sits below the artist average of 7.1, making it the #11 most dynamic track of theirs in our library.
2009 context
Released in 2009. We have 218 songs from that year in our library, averaging a dynamic range of 6.4/10. This track is about average than the year average. Explore more from the 2000s.
Explore by mood and tradition
Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
Rating last reviewed: 2026-04-15. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Email the editor — every message is read and ratings get revised.
Frequently asked about "Mess with Time"
Quick answers pulled from the song's sensory analysis.
What is the sensory intensity of "Mess with Time" by Built to Spill?
"Mess with Time" by Built to Spill rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Mess with Time" — what is its dynamic range?
"Mess with Time" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Mess with Time" have sudden or surprising changes?
"Mess with Time" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Mess with Time" best for?
In our library "Mess with Time" is recommended for: deep listening, focus. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Mess with Time" released?
"Mess with Time" is from 2009, on the album "There Is No Enemy". It appears in our 2000s catalog.
What is the emotional mood of "Mess with Time"?
We tag "Mess with Time" as introspective, reflective. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Mess with Time"?
The vocal style is dynamic vocals.
Should I listen to "Mess with Time"?
"Mess with Time" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
What this song means to people
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