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10 songs that feel like Yesterdays

Matched to Yesterdays by Guns N' Roses on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Yesterdays
The song you love
Yesterdays
Guns N' Roses
moderate 36/100 intensity 85 BPM
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Ron O'Neal — Wu-Tang Clan moderate 85 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100). Nearly the same tempo, too (85 BPM).

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Have You Ever Been in Love — Celine Dion moderate 85 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same smooth texture.

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Forbidden Fruit — J. Cole moderate 92 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (33/100). Measured 94% alike. Nearly the same tempo, too (92 BPM).

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Man in the Mirror — Michael Jackson moderate 92 BPM

Measures 99% the same. It lands at almost exactly the same energy (36/100). Same smooth texture.

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Sogno — Andrea Bocelli safe 76 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (35/100).

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Red House — Jimi Hendrix moderate 80 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same smooth texture.

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Quit Playing Games (With My Heart) — Backstreet Boys safe 92 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (36/100). Measured 99% alike. Nearly the same tempo, too (92 BPM).

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Where Do Broken Hearts Go — Whitney Houston safe 73 BPM

Measures 95% the same. It lands at almost exactly the same energy (31/100). Same smooth texture.

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Please, Please, Please — James Brown safe 80 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (32/100). Nearly the same tempo, too (80 BPM).

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Isolation — Joy Division moderate 104 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (34/100). Same smooth texture.

…and if you want it calmer

Same feeling, measured gentler — for when Yesterdays is more than you want right now.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 12/100, down from 36. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

It stays in our safe band start to finish, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

Love Is Selfish by Jack White
Love Is Selfish — Jack White safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 11/100.

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Hey Mister, That's Me up on the Jukebox — James Taylor safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 15/100, versus the original's 36.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 16/100, down from 36. Nearly the same tempo, too.

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The Tree of Forgiveness — John Prine safe 90 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 21/100 — the pull without the edge. Nearly the same tempo, too.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 7. Reads 8/100. Nearly the same tempo, too.

No Place to Fall by Townes Van Zandt
No Place to Fall — Townes Van Zandt safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 13/100, versus the original's 36. Nearly the same tempo, too.

Frequently asked

What songs sound like “Yesterdays” by Guns N' Roses?

The closest feel-matches we measure are “Ron O'Neal” by Wu-Tang Clan, “Have You Ever Been in Love” by Celine Dion, “Forbidden Fruit” by J. Cole — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Yesterdays” but calmer?

“Blowin' in the Wind” by Bob Dylan, “If I Were a Boy” by Beyoncé, “Love Is Selfish” by Jack White keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Yesterdays”?

It measures 36/100 on our intensity scale, computed from a dynamic range of 7/10, smooth texture, no sudden shifts, and dynamic vocals. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 24% of songs, calmer than the other 76%. Its intensity reading of 36/100 comes from a dynamic range of 7/10, smooth texture, no sudden shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 77% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout2/10
Dinner9/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1991 in context

The 266 songs we’ve measured from 1991 average a dynamic range of 6.8/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity36
Dynamics67
Tempo25
Surprise0
Density0
Predictability0
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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