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10 songs that feel like When I'm Gone

Matched to When I'm Gone by Eminem on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

When I'm Gone
The song you love
When I'm Gone
Eminem
moderate 33/100 intensity 80 BPM
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I Don't Want to Miss a Thing — Aerosmith moderate 73 BPM

A 96% feel-match — carries the same emotional pull and lands at almost exactly the same energy (37/100). Nearly the same tempo, too (73 BPM).

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Chasin' Wild Horses — Bruce Springsteen safe 72 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (33/100). Same smooth texture.

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Hope There's Someone — Antony and the Johnsons moderate 80 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (30/100). Measured 96% alike. Nearly the same tempo, too (80 BPM).

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Georgia — Phoebe Bridgers safe 78 BPM

Measures 96% the same. It lands at almost exactly the same energy (29/100). Same smooth texture.

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Always with Me — Yumi Kimura safe 72 BPM

A 96% feel-match — carries the same emotional pull and lands at almost exactly the same energy (29/100). Nearly the same tempo, too (72 BPM).

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Winter — Tori Amos moderate 70 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (29/100). Same smooth texture.

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Plain Gold Ring — Nina Simone moderate 72 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (33/100). Measured 95% alike. Nearly the same tempo, too (72 BPM).

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Take Care — Beach House moderate 85 BPM

Measures 96% the same. It lands at almost exactly the same energy (30/100). Same smooth texture.

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Visiting Hours — Ed Sheeran moderate 72 BPM

A 90% feel-match — carries the same emotional pull and sits a little calmer at 25/100. Nearly the same tempo, too (72 BPM).

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Si Veo a Tu Mamá — Bad Bunny moderate 75 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (29/100). Same smooth texture.

…and if you want it calmer

Same feeling, measured gentler — for when When I'm Gone is more than you want right now.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 2 where the original climbs to 7. Intensity 8/100, down from 33. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 32/100. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 33. Nearly the same tempo, too.

Changes by Black Sabbath
Changes — Black Sabbath safe 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 21/100, down from 33. Nearly the same tempo, too.

Which Will by Nick Drake
Which Will — Nick Drake safe 72 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 11/100 — the pull without the edge. Nearly the same tempo, too.

Halah by Mazzy Star
Halah — Mazzy Star safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 11/100. Nearly the same tempo, too.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 16/100, versus the original's 33. Nearly the same tempo, too.

Frequently asked

What songs sound like “When I'm Gone” by Eminem?

The closest feel-matches we measure are “I Don't Want to Miss a Thing” by Aerosmith, “Chasin' Wild Horses” by Bruce Springsteen, “Hope There's Someone” by Antony and the Johnsons — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “When I'm Gone” but calmer?

“I Remember Everything” by John Prine, “If I Were a Boy” by Beyoncé, “Please, Please, Please” by James Brown keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “When I'm Gone”?

It measures 33/100 on our intensity scale, computed from a dynamic range of 7/10, smooth texture, mild sudden shifts, and soft vocals. Tempo is 80 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 22% of songs, calmer than the other 78%. Its intensity reading of 33/100 comes from a dynamic range of 7/10, smooth texture, mild shifts, and soft vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 85% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2005 in context

The 363 songs we’ve measured from 2005 average a dynamic range of 6.2/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity33
Dynamics67
Tempo22
Surprise25
Density0
Predictability0
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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