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10 songs that feel like Welcome, Ghosts

Matched to Welcome, Ghosts by Explosions in the Sky on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Welcome, Ghosts
Explosions in the Sky
moderate 44/100 intensity 85 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (80 BPM).

Tennessee — Hans Zimmer safe 80 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

Violin Concerto in D Major, Op. 77 — Johannes Brahms moderate 80 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (43/100). Measured 99% alike. Nearly the same tempo, too (80 BPM).

The Mission — Ennio Morricone moderate 70 BPM

Measures 97% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

Day One — Hans Zimmer moderate 72 BPM

A 97% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (42/100).

For a Few Dollars More — Ennio Morricone moderate 95 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

Mother Goose Suite — Maurice Ravel moderate 80 BPM

Keeps the same nostalgic pull — lands at almost exactly the same energy (39/100). Measured 96% alike. Nearly the same tempo, too (80 BPM).

Le Tombeau de Couperin — Maurice Ravel moderate 100 BPM

Measures 97% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

Loud Places — Jamie xx moderate 95 BPM

A 87% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (43/100).

Black Sands — Bonobo safe 85 BPM

92% match across our 8 measured dimensions; it sits a little calmer at 36/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Welcome, Ghosts is more than you want right now.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 27/100, down from 44. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 8, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100. Nearly the same tempo, too.

Where Are We Now by David Bowie
Where Are We Now — David Bowie safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 8. 11/100, versus the original's 44.

Sweet Life by Frank Ocean
Sweet Life — Frank Ocean safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 30/100, down from 44. Nearly the same tempo, too.

Tranquility Base Hotel + Casino by Arctic Monkeys
Tranquility Base Hotel + Casino — Arctic Monkeys safe 85 BPM

Its dynamic range stays a gentler 3 where the original climbs to 8, so it lands at 13/100 — the pull without the edge. Nearly the same tempo, too.

Mr. Schwartz by Arctic Monkeys
Mr. Schwartz — Arctic Monkeys safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 8. Reads 16/100. Nearly the same tempo, too.

Lisbon, OH by Bon Iver
Lisbon, OH — Bon Iver safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 8. 18/100, versus the original's 44.

Frequently asked

What songs sound like “Welcome, Ghosts” by Explosions in the Sky?

The closest feel-matches we measure are “Bach: Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude” by Yo-Yo Ma, “Tennessee” by Hans Zimmer, “Violin Concerto in D Major, Op. 77” by Johannes Brahms — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Welcome, Ghosts” but calmer?

“Both Sides, Now” by Joni Mitchell, “Sittin' On The Dock of the Bay” by Otis Redding, “If I Were a Boy” by Beyoncé keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Welcome, Ghosts”?

It measures 44/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, mild sudden shifts, and instrumental. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 41% of songs, calmer than the other 59%. Its intensity reading of 44/100 comes from a dynamic range of 8/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 80% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2007 in context

The 311 songs we’ve measured from 2007 average a dynamic range of 6.3/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity44
Dynamics78
Tempo25
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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