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10 songs that feel like Uranus, the Magician

Matched to Uranus, the Magician by Gustav Holst on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Uranus, the Magician
The song you love
Uranus, the Magician
Gustav Holst
moderate 63/100 intensity 120 BPM
Ocean Etude — Frédéric Chopin moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (63/100). Nearly the same tempo, too (120 BPM).

Piano Concerto in A Minor — Edvard Grieg moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (63/100). Same layered texture.

Piano Concerto in G Major — Maurice Ravel moderate 120 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (63/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Canario — Emerson Lake and Palmer moderate 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (59/100). Same layered texture.

Heroic Polonaise — Frédéric Chopin intense 120 BPM

A 96% feel-match — carries the same energetic pull and lands at almost exactly the same energy (66/100). Nearly the same tempo, too (120 BPM).

Peggy's Blue Skylight — Charles Mingus moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (59/100). Same layered texture.

Die Meistersinger Overture — Richard Wagner moderate 120 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (63/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

Piano Concerto No 1 — Frédéric Chopin moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (63/100). Same layered texture.

Surf Beat — Dick Dale intense 140 BPM

A 94% feel-match — carries the same energetic pull and lands at almost exactly the same energy (64/100).

The Good, the Bad and the Ugly — Ennio Morricone intense 100 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Uranus, the Magician is more than you want right now.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 41/100, down from 63. Nearly the same tempo, too.

Gymnopédies No. 1 by Erik Satie
Gymnopédies No. 1 — Erik Satie safe 92 BPM

Its dynamic range stays a gentler 4 where the original climbs to 8, so it lands at 18/100 — the pull without the edge.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 8. Reads 24/100. Nearly the same tempo, too.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 40/100, versus the original's 63. Nearly the same tempo, too.

The Less I Know the Better by Tame Impala
The Less I Know the Better — Tame Impala safe 116 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 8. Intensity 29/100, down from 63. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 27/100. Nearly the same tempo, too.

Let's Dance by David Bowie
Let's Dance — David Bowie safe 115 BPM

Holds the same feel while nothing in it lurches or startles. 38/100, versus the original's 63. Nearly the same tempo, too.

Frequently asked

What songs sound like “Uranus, the Magician” by Gustav Holst?

The closest feel-matches we measure are “Ocean Etude” by Frédéric Chopin, “Piano Concerto in A Minor” by Edvard Grieg, “Piano Concerto in G Major” by Maurice Ravel — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Uranus, the Magician” but calmer?

“Monday Morning” by Fleetwood Mac, “Gymnopédies No. 1” by Erik Satie, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Uranus, the Magician”?

It measures 63/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, frequent sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 83% of the 19,209 songs we've measured. Its intensity reading of 63/100 comes from a dynamic range of 8/10, layered texture, frequent shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 83% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus4/10
Workout7/10
Dinner6/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1917 in context

The 5 songs we’ve measured from 1917 average a dynamic range of 7.6/10. At 8/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity63
Dynamics78
Tempo44
Surprise75
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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