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10 songs that feel like Town Called Malice

Matched to Town Called Malice by The Jam on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Town Called Malice
The Jam
moderate 50/100 intensity 132 BPM
Dedicated Follower of Fashion — The Kinks moderate 130 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (130 BPM).

The End Has No End — The Strokes moderate 130 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Dark of the Matinee — Franz Ferdinand moderate 130 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (130 BPM).

Ulysses — Franz Ferdinand moderate 130 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

Time to Pretend — MGMT moderate 130 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (130 BPM).

Signs — Bloc Party moderate 130 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Graffiti — Maximo Park moderate 130 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (130 BPM).

Books from Boxes — Maximo Park moderate 130 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

Let's Get Clinical — Maximo Park moderate 130 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (130 BPM).

City of Bugs — The Cribs moderate 130 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Town Called Malice is more than you want right now.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 50.

Concerto in E-flat "Dumbarton Oaks" — Igor Stravinsky safe 120 BPM

It stays in our safe band start to finish, so it lands at 35/100 — the pull without the edge.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 24/100. Nearly the same tempo, too.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Holds the same feel while nothing in it lurches or startles. 40/100, versus the original's 50.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 50.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

9 to 5 by Dolly Parton
9 to 5 — Dolly Parton safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 42/100.

Two Doors Down by Dolly Parton
Two Doors Down — Dolly Parton safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 36/100, versus the original's 50.

Frequently asked

What songs sound like “Town Called Malice” by The Jam?

The closest feel-matches we measure are “Dedicated Follower of Fashion” by The Kinks, “The End Has No End” by The Strokes, “Dark of the Matinee” by Franz Ferdinand — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Town Called Malice” but calmer?

“Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Town Called Malice”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 132 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1982 in context

The 211 songs we’ve measured from 1982 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics56
Tempo51
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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