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10 songs that feel like Too Good at Goodbyes

Matched to Too Good at Goodbyes by Sam Smith on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Too Good at Goodbyes
Sam Smith
moderate 50/100 intensity 90 BPM
You Need Love Like I Do — Gladys Knight and the Pips moderate 90 BPM

A 99% feel-match — carries the same intimate pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (90 BPM).

Delta Lady — Joe Cocker moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Save the Overtime for Me — Gladys Knight and the Pips moderate 95 BPM

Keeps the same intimate pull — lands at almost exactly the same energy (51/100). Measured 99% alike. Nearly the same tempo, too (95 BPM).

Exile — Taylor Swift moderate 80 BPM

Measures 98% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Nothing Short of Dying — Travis Tritt moderate 80 BPM

A 98% feel-match — carries the same intimate pull and lands at almost exactly the same energy (49/100).

If I Were Your Woman — Gladys Knight and the Pips moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Run — Hozier moderate 90 BPM

Keeps the same intimate pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (90 BPM).

Ca Ja Devo — Milton Nascimento moderate 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

Tonton — Salif Keita moderate 90 BPM

A 99% feel-match — carries the same intimate pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (90 BPM).

Papa — Salif Keita moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Too Good at Goodbyes is more than you want right now.

Please, Please, Please Let Me Get What I Want by The Smiths

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 50.

The 1 by Taylor Swift
The 1 — Taylor Swift safe 90 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

Good Guy by Frank Ocean
Good Guy — Frank Ocean safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100. Nearly the same tempo, too.

In a Week by Hozier
In a Week — Hozier safe 78 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 16/100, versus the original's 50.

Abstract (Psychopomp) by Hozier
Abstract (Psychopomp) — Hozier safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 16/100, down from 50. Nearly the same tempo, too.

Tomorrow Never Came — Lana Del Rey (feat. Sean Lennon) safe 80 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 12/100 — the pull without the edge. Nearly the same tempo, too.

Henry, Come On by Lana Del Rey
Henry, Come On — Lana Del Rey safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100. Nearly the same tempo, too.

Pitseleh by Elliott Smith
Pitseleh — Elliott Smith safe 75 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 21/100, versus the original's 50.

Frequently asked

What songs sound like “Too Good at Goodbyes” by Sam Smith?

The closest feel-matches we measure are “You Need Love Like I Do” by Gladys Knight and the Pips, “Delta Lady” by Joe Cocker, “Save the Overtime for Me” by Gladys Knight and the Pips — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Too Good at Goodbyes” but calmer?

“Please, Please, Please Let Me Get What I Want” by The Smiths, “The 1” by Taylor Swift, “Good Guy” by Frank Ocean keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Too Good at Goodbyes”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 71% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2017 in context

The 461 songs we’ve measured from 2017 average a dynamic range of 6.0/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo28
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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