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10 songs that feel like The Thing That Should Not Be

Matched to The Thing That Should Not Be by Metallica on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The Thing That Should Not Be
The song you love
The Thing That Should Not Be
Metallica
intense 66/100 intensity 116 BPM
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Sing About Me, I'm Dying of Thirst — Kendrick Lamar intense 99 BPM

A 95% feel-match — carries the same heavy pull and lands at almost exactly the same energy (69/100).

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Public Service Announcement — Jay-Z intense 83 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (63/100). Same complex texture.

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Handsworth Revolution — Steel Pulse intense 118 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (66/100). Measured 99% alike. Nearly the same tempo, too (118 BPM).

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The Headmaster Ritual — The Smiths intense 118 BPM

Measures 91% the same. It runs a little hotter at 73/100. Same complex texture.

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Weight of the World — Keiichi Okabe intense 120 BPM

A 91% feel-match — carries the same heavy pull and runs a little hotter at 74/100. Nearly the same tempo, too (120 BPM).

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Sign 'O' the Times — Prince intense 120 BPM

91% match across our 8 measured dimensions; it runs a little hotter at 74/100. Same complex texture.

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Sorry — Beyoncé intense 104 BPM

Keeps the same heavy pull — runs a little hotter at 72/100. Measured 91% alike.

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Water No Get Enemy — Fela Kuti intense 100 BPM

Measures 90% the same. It runs a little hotter at 72/100. Same complex texture.

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Last Resort — Papa Roach intense 100 BPM

A 90% feel-match — carries the same heavy pull and runs a little hotter at 72/100.

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Insane — Flume intense 100 BPM

90% match across our 8 measured dimensions; it runs a little hotter at 72/100. Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Thing That Should Not Be is more than you want right now.

Woman in Chains by Tears for Fears
Woman in Chains — Tears for Fears moderate 104 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 58/100, down from 66.

Hateful by The Clash
Hateful — The Clash moderate 120 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 49/100 — the pull without the edge. Nearly the same tempo, too.

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Ohio — Crosby, Stills, Nash & Young moderate 128 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 50/100.

Bring the Boys Back Home by Pink Floyd
Bring the Boys Back Home — Pink Floyd moderate 120 BPM

Holds the same feel while it eases off just enough to take the edge off. 60/100, versus the original's 66. Nearly the same tempo, too.

Love Child by The Supremes
Love Child — The Supremes moderate 114 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 58/100, down from 66. Nearly the same tempo, too.

You Keep Me Hangin' On by The Supremes
You Keep Me Hangin' On — The Supremes moderate 130 BPM

It measures markedly calmer overall, so it lands at 58/100 — the pull without the edge.

Roll Away Your Stone by Mumford & Sons
Roll Away Your Stone — Mumford & Sons moderate 105 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 58/100.

Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso by Lang Lang

Holds the same feel while it measures markedly calmer overall. 47/100, versus the original's 66. Nearly the same tempo, too.

Frequently asked

What songs sound like “The Thing That Should Not Be” by Metallica?

The closest feel-matches we measure are “Sing About Me, I'm Dying of Thirst” by Kendrick Lamar, “Public Service Announcement” by Jay-Z, “Handsworth Revolution” by Steel Pulse — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Thing That Should Not Be” but calmer?

“Woman in Chains” by Tears for Fears, “Hateful” by The Clash, “Ohio” by Crosby, Stills, Nash & Young keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Thing That Should Not Be”?

It measures 66/100 on our intensity scale, computed from a dynamic range of 8/10, complex texture, mild sudden shifts, and dynamic vocals. Tempo is 116 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 87% of the 19,209 songs we've measured. Its intensity reading of 66/100 comes from a dynamic range of 8/10, complex texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 87% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep1/10
Focus6/10
Workout5/10
Dinner5/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1986 in context

The 223 songs we’ve measured from 1986 average a dynamic range of 6.6/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity66
Dynamics78
Tempo42
Surprise25
Density60
Predictability100
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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