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10 songs that feel like The Other Woman

Matched to The Other Woman by Lana Del Rey on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The Other Woman
The song you love
The Other Woman
Lana Del Rey
moderate 41/100 intensity 62 BPM
Foreigner's God — Hozier moderate 72 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (42/100).

Waiting for the Miracle — Leonard Cohen moderate 72 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

The Man Who Sold the World — David Bowie moderate 76 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (42/100). Measured 97% alike.

Coming Down — The Weeknd moderate 80 BPM

Measures 96% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

Pastime Paradise — Stevie Wonder moderate 80 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100).

Piggy — Nine Inch Nails moderate 65 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same layered texture.

Joey — Bob Dylan moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 96% alike. Nearly the same tempo, too (70 BPM).

Goin' Down Slow — Howlin' Wolf moderate 70 BPM

Measures 96% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

Tucson Train — Bruce Springsteen moderate 72 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (42/100).

Honeymoon Avenue — Ariana Grande moderate 72 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Other Woman is more than you want right now.

Please, Please, Please Let Me Get What I Want by The Smiths

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 41.

Champagne Problems by Taylor Swift
Champagne Problems — Taylor Swift safe 68 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Everybody Hurts — R.E.M. safe 75 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 22/100.

Right Where You Left Me by Taylor Swift
Right Where You Left Me — Taylor Swift safe 68 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 18/100, versus the original's 41. Nearly the same tempo, too.

What Was I Made For by Billie Eilish
What Was I Made For — Billie Eilish safe 60 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 14/100, down from 41. Nearly the same tempo, too.

Hoax by Taylor Swift
Hoax — Taylor Swift safe 72 BPM

Nothing in it lurches or startles, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

Mirrorball by Taylor Swift
Mirrorball — Taylor Swift safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 18/100. Nearly the same tempo, too.

Broken-Hearted Girl by Beyoncé
Broken-Hearted Girl — Beyoncé safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 15/100, versus the original's 41. Nearly the same tempo, too.

Frequently asked

What songs sound like “The Other Woman” by Lana Del Rey?

The closest feel-matches we measure are “Foreigner's God” by Hozier, “Waiting for the Miracle” by Leonard Cohen, “The Man Who Sold the World” by David Bowie — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Other Woman” but calmer?

“Please, Please, Please Let Me Get What I Want” by The Smiths, “Champagne Problems” by Taylor Swift, “Everybody Hurts” by R.E.M. keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Other Woman”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 62 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2014 in context

The 313 songs we’ve measured from 2014 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity41
Dynamics56
Tempo12
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

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