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10 songs that feel like The Girls Want to Be with the Girls

Matched to The Girls Want to Be with the Girls by Talking Heads on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The Girls Want to Be with the Girls
The song you love
The Girls Want to Be with the Girls
Talking Heads
moderate 42/100 intensity 110 BPM
Oh Yeah — Daft Punk moderate 123 BPM

A 97% feel-match — carries the same playful pull and lands at almost exactly the same energy (43/100).

My Own Version of You — Bob Dylan moderate 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

Diamonds on the Soles of Her Shoes — Paul Simon moderate 96 BPM

Keeps the same playful pull — lands at almost exactly the same energy (39/100). Measured 94% alike.

New You — My Bloody Valentine moderate 95 BPM

Measures 94% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

Sexy Dancer — 808 State moderate 120 BPM

A 94% feel-match — carries the same playful pull and lands at almost exactly the same energy (41/100).

Electric Feel — MGMT moderate 98 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

Computer World — Kraftwerk moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (47/100). Measured 95% alike.

Teen Age Riot — Sonic Youth moderate 120 BPM

Measures 95% the same. It lands at almost exactly the same energy (47/100). Same layered texture.

Empire State Human — The Human League moderate 120 BPM

A 94% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (41/100).

Tranz — Gorillaz moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Girls Want to Be with the Girls is more than you want right now.

Pulcinella Suite — Igor Stravinsky safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 30/100, down from 42. Nearly the same tempo, too.

22 by Taylor Swift
22 — Taylor Swift safe 120 BPM

Nothing in it lurches or startles, so it lands at 39/100 — the pull without the edge. Nearly the same tempo, too.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 41/100. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 34/100, versus the original's 42.

Stand — R.E.M. safe 106 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 40/100, down from 42. Nearly the same tempo, too.

Head Over Heels by ABBA
Head Over Heels — ABBA safe 118 BPM

It stays in our safe band start to finish, so it lands at 45/100 — the pull without the edge. Nearly the same tempo, too.

Creepin' In — Norah Jones featuring Dolly Parton safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 19/100. Nearly the same tempo, too.

The Lady Don't Mind by Talking Heads
The Lady Don't Mind — Talking Heads safe 95 BPM

Holds the same feel while nothing in it lurches or startles. 21/100, versus the original's 42.

Frequently asked

What songs sound like “The Girls Want to Be with the Girls” by Talking Heads?

The closest feel-matches we measure are “Oh Yeah” by Daft Punk, “My Own Version of You” by Bob Dylan, “Diamonds on the Soles of Her Shoes” by Paul Simon — the top match scores 97% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Girls Want to Be with the Girls” but calmer?

“Pulcinella Suite” by Igor Stravinsky, “22” by Taylor Swift, “Monday Morning” by Fleetwood Mac keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Girls Want to Be with the Girls”?

It measures 42/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and spoken word. Tempo is 110 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 38% of songs, calmer than the other 62%. Its intensity reading of 42/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and spoken word. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1978 in context

The 214 songs we’ve measured from 1978 average a dynamic range of 6.1/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity42
Dynamics56
Tempo39
Surprise25
Density33
Predictability50
Vocal force40
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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