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10 songs that feel like Suite: Judy Blue Eyes

Matched to Suite: Judy Blue Eyes by Crosby, Stills & Nash on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Suite: Judy Blue Eyes
The song you love
Suite: Judy Blue Eyes
Crosby, Stills & Nash
moderate 50/100 intensity 135 BPM
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Mykonos — Fleet Foxes moderate 135 BPM

A 99% feel-match — carries the same uplifting pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (135 BPM).

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Underwear — Pulp moderate 132 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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I Want to See the Bright Lights Tonight — Richard & Linda Thompson moderate 128 BPM

Keeps the same uplifting pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (128 BPM).

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Crooked Teeth — Death Cab for Cutie moderate 126 BPM

Measures 98% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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I Want You — Bob Dylan moderate 126 BPM

A 98% feel-match — carries the same intimate pull and lands at almost exactly the same energy (50/100).

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Kimberly — Patti Smith moderate 126 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Ragged Wood — Fleet Foxes moderate 135 BPM

Keeps the same uplifting pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (135 BPM).

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Answer: Love Myself — BTS moderate 136 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Dancing Barefoot — Patti Smith moderate 136 BPM

A 99% feel-match — carries the same uplifting pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (136 BPM).

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Would That I — Hozier moderate 124 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Suite: Judy Blue Eyes is more than you want right now.

Stop! In the Name of Love by The Supremes
Stop! In the Name of Love — The Supremes safe 121 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 35/100, down from 50.

Lloyd, I'm Ready to Be Heartbroken by Camera Obscura
Lloyd, I'm Ready to Be Heartbroken — Camera Obscura safe 120 BPM

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge.

Return to Sender by Elvis Presley
Return to Sender — Elvis Presley safe 132 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 24/100. Nearly the same tempo, too.

Don't Give Up by Peter Gabriel
Don't Give Up — Peter Gabriel safe 102 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 18/100, versus the original's 50.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 50. Nearly the same tempo, too.

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Visions of Johanna — Bob Dylan safe 145 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

Shelter from the Storm by Bob Dylan
Shelter from the Storm — Bob Dylan safe 144 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 18/100. Nearly the same tempo, too.

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Mozambique — Bob Dylan safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 27/100, versus the original's 50.

Frequently asked

What songs sound like “Suite: Judy Blue Eyes” by Crosby, Stills & Nash?

The closest feel-matches we measure are “Mykonos” by Fleet Foxes, “Underwear” by Pulp, “I Want to See the Bright Lights Tonight” by Richard & Linda Thompson — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Suite: Judy Blue Eyes” but calmer?

“Stop! In the Name of Love” by The Supremes, “Lloyd, I'm Ready to Be Heartbroken” by Camera Obscura, “Return to Sender” by Elvis Presley keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Suite: Judy Blue Eyes”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 135 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 89% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1969 in context

The 222 songs we’ve measured from 1969 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics56
Tempo53
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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