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10 songs that feel like Some Summers They Drop Like Flies

Matched to Some Summers They Drop Like Flies by Dirty Three on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Some Summers They Drop Like Flies
Dirty Three
moderate 39/100 intensity 80 BPM
Soledad — Astor Piazzolla moderate 90 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (40/100).

The Miner's Hymns — Johann Johannsson moderate 60 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

Sometimes I Cry at the Piano — Rachel's moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 98% alike.

Separation — Camel moderate 70 BPM

Measures 98% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

I Remember Clifford — Lee Morgan moderate 90 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (40/100).

Prelude — Giuseppe Verdi moderate 80 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

Body and Soul — Coleman Hawkins moderate 80 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (39/100). Measured 96% alike. Nearly the same tempo, too (80 BPM).

A Poor Man's Memory — Explosions in the Sky safe 80 BPM

Measures 96% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

Living Dub — King Tubby moderate 70 BPM

A 98% feel-match — carries the same introspective pull and lands at almost exactly the same energy (38/100).

Lady Gabor — Charles Lloyd moderate 70 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Some Summers They Drop Like Flies is more than you want right now.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 12/100, down from 39. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge.

Please, Please, Please Let Me Get What I Want by The Smiths

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100. Nearly the same tempo, too.

Everybody Hurts — R.E.M. safe 75 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 22/100, versus the original's 39. Nearly the same tempo, too.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 23/100, down from 39. Nearly the same tempo, too.

Right Where You Left Me by Taylor Swift
Right Where You Left Me — Taylor Swift safe 68 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 18/100 — the pull without the edge.

The Smallest Man Who Ever Lived by Taylor Swift
The Smallest Man Who Ever Lived — Taylor Swift safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 23/100. Nearly the same tempo, too.

Male Fantasy by Billie Eilish
Male Fantasy — Billie Eilish safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 26/100, versus the original's 39. Nearly the same tempo, too.

Frequently asked

What songs sound like “Some Summers They Drop Like Flies” by Dirty Three?

The closest feel-matches we measure are “Soledad” by Astor Piazzolla, “The Miner's Hymns” by Johann Johannsson, “Sometimes I Cry at the Piano” by Rachel's — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Some Summers They Drop Like Flies” but calmer?

“Blowin' in the Wind” by Bob Dylan, “If I Were a Boy” by Beyoncé, “Please, Please, Please Let Me Get What I Want” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Some Summers They Drop Like Flies”?

It measures 39/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 80 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 32% of songs, calmer than the other 68%. Its intensity reading of 39/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 85% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1998 in context

The 339 songs we’ve measured from 1998 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity39
Dynamics67
Tempo22
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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