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10 songs that feel like Solsbury Hill

Matched to Solsbury Hill by Peter Gabriel on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Solsbury Hill
Peter Gabriel
moderate 51/100 intensity 102 BPM
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Ghetto Gospel — Tupac Shakur moderate 92 BPM

A 98% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (50/100).

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Cedarwood Road — U2 moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Over and Out — Foo Fighters moderate 95 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (51/100). Measured 99% alike. Nearly the same tempo, too (95 BPM).

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Lift — Radiohead moderate 95 BPM

Measures 99% the same. It lands at almost exactly the same energy (51/100). Same layered texture.

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Walk On — U2 moderate 95 BPM

A 95% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (51/100). Nearly the same tempo, too (95 BPM).

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We Don't Care — Kanye West moderate 92 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Pieces of a Man — Gil Scott-Heron moderate 90 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (50/100). Measured 98% alike.

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My Blakean Year — Patti Smith moderate 120 BPM

Measures 95% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Hunger — Florence and the Machine moderate 110 BPM

A 95% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (52/100). Nearly the same tempo, too (110 BPM).

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I'm Coming Out — Diana Ross moderate 115 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (52/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Solsbury Hill is more than you want right now.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 51. Nearly the same tempo, too.

Happy For You by Dua Lipa
Happy For You — Dua Lipa safe 95 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 29/100 — the pull without the edge. Nearly the same tempo, too.

What Do I Know? by Ed Sheeran
What Do I Know? — Ed Sheeran safe 92 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 21/100. Nearly the same tempo, too.

If You Want to Sing Out, Sing Out by Cat Stevens
If You Want to Sing Out, Sing Out — Cat Stevens safe 92 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 17/100, versus the original's 51. Nearly the same tempo, too.

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Teach Your Children — Crosby, Stills, Nash & Young safe 92 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 17/100, down from 51. Nearly the same tempo, too.

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The Tree of Forgiveness — John Prine safe 90 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 21/100 — the pull without the edge.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 24/100, versus the original's 51.

Frequently asked

What songs sound like “Solsbury Hill” by Peter Gabriel?

The closest feel-matches we measure are “Ghetto Gospel” by Tupac Shakur, “Cedarwood Road” by U2, “Over and Out” by Foo Fighters — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Solsbury Hill” but calmer?

“If I Were a Boy” by Beyoncé, “Happy For You” by Dua Lipa, “What Do I Know?” by Ed Sheeran keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Solsbury Hill”?

It measures 51/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 102 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 66% of songs, calmer than the other 34%. Its intensity reading of 51/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 66% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1977 in context

The 226 songs we’ve measured from 1977 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity51
Dynamics67
Tempo34
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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