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10 songs that feel like Scrapple from the Apple

Matched to Scrapple from the Apple by Charlie Parker on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Scrapple from the Apple
Charlie Parker
moderate 48/100 intensity 180 BPM
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Ramblin' — Ornette Coleman moderate 180 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (180 BPM).

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Woody'n You — Dizzy Gillespie moderate 180 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

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Birks Works — Dizzy Gillespie moderate 180 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (180 BPM).

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Blue and Boogie — Dizzy Gillespie moderate 180 BPM

Measures 99% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

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A Night in Tunisia — Clifford Brown moderate 200 BPM

A 96% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100).

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How High the Moon — Oscar Peterson moderate 160 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

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Sweet Georgia Brown — Joe Pass moderate 180 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (44/100). Measured 96% alike. Nearly the same tempo, too (180 BPM).

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Epistrophy — Thelonious Monk moderate 200 BPM

Measures 94% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

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Evidence — Thelonious Monk moderate 160 BPM

A 94% feel-match — carries the same energetic pull and lands at almost exactly the same energy (43/100).

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A Night in Tunisia — Art Blakey moderate 210 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Scrapple from the Apple is more than you want right now.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 41/100, down from 48.

Merry Christmas Mr. Lawrence by Ryuichi Sakamoto
Merry Christmas Mr. Lawrence — Ryuichi Sakamoto safe 70 BPM

It stays in our safe band start to finish, so it lands at 38/100 — the pull without the edge.

Gymnopédies No. 1 by Erik Satie
Gymnopédies No. 1 — Erik Satie safe 92 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 18/100.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 25/100, versus the original's 48.

Mas Que Nada by Jorge Ben
Mas Que Nada — Jorge Ben safe 100 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 35/100, down from 48.

Riptide by Vance Joy
Riptide — Vance Joy safe 100 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 22/100 — the pull without the edge.

Heart of Gold by Neil Young
Heart of Gold — Neil Young safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 17/100.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 12/100, versus the original's 48.

Frequently asked

What songs sound like “Scrapple from the Apple” by Charlie Parker?

The closest feel-matches we measure are “Ramblin'” by Ornette Coleman, “Woody'n You” by Dizzy Gillespie, “Birks Works” by Dizzy Gillespie — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Scrapple from the Apple” but calmer?

“Monday Morning” by Fleetwood Mac, “Merry Christmas Mr. Lawrence” by Ryuichi Sakamoto, “Gymnopédies No. 1” by Erik Satie keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Scrapple from the Apple”?

It measures 48/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 180 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 52% of songs, calmer than the other 48%. Its intensity reading of 48/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 98% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout3/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1950 in context

The 18 songs we’ve measured from 1950 average a dynamic range of 5.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity48
Dynamics67
Tempo78
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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