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10 songs that feel like Quartet for the End of Time

Matched to Quartet for the End of Time by Olivier Messiaen on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Quartet for the End of Time
The song you love
Quartet for the End of Time
Olivier Messiaen
intense 60/100 intensity 50 BPM
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Piano Concerto No. 5 (Emperor) — Ludwig van Beethoven intense 80 BPM

A 89% feel-match — carries the same heavy pull and lands at almost exactly the same energy (60/100).

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The Wall — Pink Floyd moderate 75 BPM

89% match across our 8 measured dimensions; it lands at almost exactly the same energy (58/100). Same complex texture.

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Man with a Harmonica — Ennio Morricone intense 75 BPM

Keeps the same heavy pull — lands at almost exactly the same energy (60/100). Measured 89% alike.

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Raga Jog — Ali Akbar Khan moderate 60 BPM

Measures 95% the same. It sits a little calmer at 54/100. Same complex texture.

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Catastrophe and the Cure — Explosions in the Sky intense 80 BPM

A 89% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (60/100).

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Christmas Steps — Mogwai intense 80 BPM

89% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100).

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Auto Rock — Mogwai moderate 80 BPM

Keeps the same heavy pull — sits a little calmer at 39/100. Measured 82% alike.

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The Call of Ktulu — Metallica intense 85 BPM

Measures 88% the same. It lands at almost exactly the same energy (60/100). Same complex texture.

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No Time for Caution — Hans Zimmer intense 80 BPM

A 88% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (60/100).

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Wandering Star — Portishead intense 90 BPM

88% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Quartet for the End of Time is more than you want right now.

Fly by Nicki Minaj
Fly — Nicki Minaj safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 38/100, down from 60.

21 Guns by Green Day
21 Guns — Green Day moderate 80 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 49/100 — the pull without the edge.

No Time To Die by Billie Eilish
No Time To Die — Billie Eilish moderate 67 BPM

If it's the same feel you're after, this delivers it while it eases off just enough to take the edge off. Reads 58/100.

Auto Rock by Mogwai
Auto Rock — Mogwai moderate 80 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 39/100, versus the original's 60.

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Spiral Architect — Black Sabbath moderate 152 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 56/100, down from 60.

Raekwon - House of Flying Daggers by Wu-Tang Clan
Raekwon - House of Flying Daggers — Wu-Tang Clan moderate 85 BPM

It eases off just enough to take the edge off, so it lands at 60/100 — the pull without the edge.

Cleopatra by The Lumineers
Cleopatra — The Lumineers moderate 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 50/100.

Black Steel in the Hour of Chaos by Public Enemy
Black Steel in the Hour of Chaos — Public Enemy moderate 105 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 52/100, versus the original's 60.

Frequently asked

What songs sound like “Quartet for the End of Time” by Olivier Messiaen?

The closest feel-matches we measure are “Piano Concerto No. 5 (Emperor)” by Ludwig van Beethoven, “The Wall” by Pink Floyd, “Man with a Harmonica” by Ennio Morricone — the top match scores 89% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Quartet for the End of Time” but calmer?

“Fly” by Nicki Minaj, “21 Guns” by Green Day, “No Time To Die” by Billie Eilish keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Quartet for the End of Time”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 9/10, complex texture, moderate sudden shifts, and instrumental. Tempo is 50 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 9/10, complex texture, moderate shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus5/10
Workout4/10
Dinner6/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1941 in context

The 9 songs we’ve measured from 1941 average a dynamic range of 6.1/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics89
Tempo6
Surprise50
Density60
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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