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10 songs that feel like Passing Out Pieces

Matched to Passing Out Pieces by Mac DeMarco on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Passing Out Pieces
The song you love
Passing Out Pieces
Mac DeMarco
moderate 49/100 intensity 120 BPM
Funtimes in Babylon — Father John Misty moderate 120 BPM

A 99% feel-match — carries the same playful pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Sally Can't Dance — Lou Reed moderate 115 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

Why Didn't You Stop Me? — Mitski moderate 138 BPM

Keeps the same playful pull — lands at almost exactly the same energy (51/100). Measured 96% alike.

Lily (My One and Only) — The Smashing Pumpkins moderate 127 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

Happy Phantom — Tori Amos moderate 112 BPM

A 98% feel-match — carries the same playful pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (112 BPM).

Know You Now — Amy Winehouse moderate 128 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Son of Sam — Elliott Smith moderate 120 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Gone — The Cure moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Ocean of Noise — Arcade Fire moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Guest Room — The National moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Passing Out Pieces is more than you want right now.

Unbearably White by Vampire Weekend
Unbearably White — Vampire Weekend safe 110 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 25/100, down from 49. Nearly the same tempo, too.

Do You Want to Build a Snowman? — Disney safe 100 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 24/100 — the pull without the edge.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 24/100. Nearly the same tempo, too.

Oh Daddy by Fleetwood Mac
Oh Daddy — Fleetwood Mac safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 49. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 49.

Brenda's Got a Baby by 2Pac
Brenda's Got a Baby — 2Pac safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge.

Please, Please, Please Let Me Get What I Want by The Smiths

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100.

The 1 by Taylor Swift
The 1 — Taylor Swift safe 90 BPM

Holds the same feel while nothing in it lurches or startles. 24/100, versus the original's 49.

Frequently asked

What songs sound like “Passing Out Pieces” by Mac DeMarco?

The closest feel-matches we measure are “Funtimes in Babylon” by Father John Misty, “Sally Can't Dance” by Lou Reed, “Why Didn't You Stop Me?” by Mitski — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Passing Out Pieces” but calmer?

“Unbearably White” by Vampire Weekend, “Do You Want to Build a Snowman?” by Disney, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Passing Out Pieces”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2014 in context

The 313 songs we’ve measured from 2014 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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