← Back to Out of My Head and Back in My Bed
10 songs that feel like Out of My Head and Back in My Bed
Matched to Out of My Head and Back in My Bed by Loretta Lynn on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 99% feel-match — carries the same romantic pull and lands at almost exactly the same energy (39/100). Nearly the same tempo, too (92 BPM).
94% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same smooth texture.
Keeps the same romantic pull — lands at almost exactly the same energy (42/100). Measured 94% alike. Nearly the same tempo, too (90 BPM).
Measures 91% the same. It lands at almost exactly the same energy (39/100). Same smooth texture.
A 96% feel-match — carries the same romantic pull and lands at almost exactly the same energy (39/100). Nearly the same tempo, too (92 BPM).
96% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same smooth texture.
Keeps the same romantic pull — sits a little calmer at 29/100. Measured 90% alike.
Measures 91% the same. It lands at almost exactly the same energy (39/100). Same smooth texture.
A 95% feel-match — carries the same romantic pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (85 BPM).
88% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100).
…and if you want it calmer
Same feeling, measured gentler — for when Out of My Head and Back in My Bed is more than you want right now.
Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 42/100, down from 39. Nearly the same tempo, too.
Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 32/100.
Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 17/100, versus the original's 39. Nearly the same tempo, too.
Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 16/100, down from 39. Nearly the same tempo, too.
Its dynamic range stays a gentler 3 where the original climbs to 6, so it lands at 13/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 42/100. Nearly the same tempo, too.
Holds the same feel while it stays in our safe band start to finish. 26/100, versus the original's 39. Nearly the same tempo, too.
Frequently asked
What songs sound like “Out of My Head and Back in My Bed” by Loretta Lynn?
The closest feel-matches we measure are “Be My Husband” by Nina Simone, “A Picture of Me (Without You)” by George Jones, “All of Me” by Frank Sinatra — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “Out of My Head and Back in My Bed” but calmer?
“All of Me” by Frank Sinatra, “If I Were a Boy” by Beyoncé, “Please, Please, Please” by James Brown keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “Out of My Head and Back in My Bed”?
It measures 39/100 on our intensity scale, computed from a dynamic range of 6/10, smooth texture, mild sudden shifts, and dynamic vocals. Tempo is 92 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 32% of songs, calmer than the other 68%. Its intensity reading of 39/100 comes from a dynamic range of 6/10, smooth texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1977 in context
The 226 songs we’ve measured from 1977 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
Find its sonic twin →