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10 songs that feel like On the Beach

Matched to On the Beach by Neil Young on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
On the Beach
Neil Young
moderate 30/100 intensity 75 BPM
Hurt Feelings — Mac Miller moderate 88 BPM

A 97% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (31/100).

16 Carriages — Beyoncé safe 78 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (34/100). Same layered texture.

That Funny Feeling — Phoebe Bridgers moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (26/100). Measured 96% alike. Nearly the same tempo, too (70 BPM).

3rd Planet — Modest Mouse moderate 85 BPM

Measures 98% the same. It lands at almost exactly the same energy (31/100). Same layered texture.

Saturday Come Slow — Massive Attack moderate 80 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (35/100). Nearly the same tempo, too (80 BPM).

Easy Way Out — Elliott Smith moderate 85 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (27/100). Same layered texture.

If God Will Send His Angels — U2 moderate 88 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (28/100). Measured 95% alike.

White Teeth Teens — Lorde moderate 92 BPM

Measures 94% the same. It lands at almost exactly the same energy (32/100). Same layered texture.

Bumblebee — ABBA safe 70 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (30/100). Nearly the same tempo, too (70 BPM).

So. Central Rain (I'm Sorry) — R.E.M. moderate 94 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (32/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when On the Beach is more than you want right now.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 5. Intensity 12/100, down from 30. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Everybody Hurts — R.E.M. safe 75 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 22/100. Nearly the same tempo, too.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 30. Nearly the same tempo, too.

Right Where You Left Me by Taylor Swift
Right Where You Left Me — Taylor Swift safe 68 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 18/100, down from 30. Nearly the same tempo, too.

The Smallest Man Who Ever Lived by Taylor Swift
The Smallest Man Who Ever Lived — Taylor Swift safe 80 BPM

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Male Fantasy by Billie Eilish
Male Fantasy — Billie Eilish safe 90 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 26/100.

Sad Beautiful Tragic by Taylor Swift
Sad Beautiful Tragic — Taylor Swift safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 30. Nearly the same tempo, too.

Frequently asked

What songs sound like “On the Beach” by Neil Young?

The closest feel-matches we measure are “Hurt Feelings” by Mac Miller, “16 Carriages” by Beyoncé, “That Funny Feeling” by Phoebe Bridgers — the top match scores 97% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “On the Beach” but calmer?

“Blowin' in the Wind” by Bob Dylan, “Please, Please, Please Let Me Get What I Want” by The Smiths, “Everybody Hurts” by R.E.M. keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “On the Beach”?

It measures 30/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 75 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This sits near the calm end of everything we've measured — gentler than 80% of the 19,209 songs in the library. Its intensity reading of 30/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and soft vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep7/10
Focus10/10
Workout2/10
Dinner7/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1974 in context

The 176 songs we’ve measured from 1974 average a dynamic range of 6.4/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity30
Dynamics44
Tempo19
Surprise25
Density33
Predictability0
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

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