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10 songs that feel like New York

Matched to New York by U2 on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

New York
The song you love
New York
U2
moderate 49/100 intensity 124 BPM
Freddie's Dead — Curtis Mayfield moderate 126 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (126 BPM).

Stay Don't Go — Spoon moderate 126 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

Running — Pearl Jam moderate 120 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Walcott — Vampire Weekend moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Get It Faster — Jimmy Eat World moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Church of the Poison Mind — Culture Club moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

Crime Time — Culture Club moderate 120 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Ain't Necessarily So — Bronski Beat moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Running on Empty — Jackson Browne moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Excitable Boy — Warren Zevon moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when New York is more than you want right now.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 49. Nearly the same tempo, too.

Concerto in E-flat "Dumbarton Oaks" — Igor Stravinsky safe 120 BPM

It stays in our safe band start to finish, so it lands at 35/100 — the pull without the edge. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 24/100. Nearly the same tempo, too.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Holds the same feel while nothing in it lurches or startles. 40/100, versus the original's 49. Nearly the same tempo, too.

The Less I Know the Better by Tame Impala
The Less I Know the Better — Tame Impala safe 116 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 29/100, down from 49. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

Let's Dance by David Bowie
Let's Dance — David Bowie safe 115 BPM

Holds the same feel while nothing in it lurches or startles. 38/100, versus the original's 49. Nearly the same tempo, too.

Frequently asked

What songs sound like “New York” by U2?

The closest feel-matches we measure are “Freddie's Dead” by Curtis Mayfield, “Stay Don't Go” by Spoon, “Running” by Pearl Jam — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “New York” but calmer?

“Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “New York”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 124 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 81% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2000 in context

The 306 songs we’ve measured from 2000 average a dynamic range of 6.7/10. At 6/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo47
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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