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10 songs that feel like New Rules

Matched to New Rules by Dua Lipa on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

New Rules
The song you love
New Rules
Dua Lipa
moderate 35/100 intensity 116 BPM
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Brown Skin Girl — Beyoncé safe 92 BPM

A 87% feel-match — carries the same empowering pull and sits a little calmer at 28/100.

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Tracks of My Tears — Smokey Robinson safe 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (32/100). Same layered texture.

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The Best Thing I Never Had — Beyoncé safe 81 BPM

Keeps the same empowering pull — sits a little calmer at 27/100. Measured 86% alike.

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Seasons of Love — Jonathan Larson moderate 100 BPM

Measures 95% the same. It lands at almost exactly the same energy (30/100). Same layered texture.

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The Gate — Björk moderate 98 BPM

A 96% feel-match — carries the same feel and lands at almost exactly the same energy (34/100).

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Pagan Poetry — Björk moderate 92 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (30/100). Same layered texture.

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Irreplaceable — Beyoncé moderate 88 BPM

Keeps the same empowering pull — lands at almost exactly the same energy (34/100). Measured 84% alike.

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The Same Deep Water as You — The Cure moderate 90 BPM

Measures 93% the same. It sits a little calmer at 29/100. Same layered texture.

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A Long Way Past the Past — Fleet Foxes safe 110 BPM

A 96% feel-match — carries the same feel and lands at almost exactly the same energy (31/100). Nearly the same tempo, too (110 BPM).

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Come in Alone — My Bloody Valentine moderate 110 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (31/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when New Rules is more than you want right now.

Lloyd, I'm Ready to Be Heartbroken by Camera Obscura
Lloyd, I'm Ready to Be Heartbroken — Camera Obscura safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 23/100, down from 35. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 21/100.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 20/100, versus the original's 35.

Chega de Saudade by Joao Gilberto
Chega de Saudade — Joao Gilberto safe 100 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 14/100, down from 35.

Crazy by Patsy Cline
Crazy — Patsy Cline safe 90 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 21/100 — the pull without the edge.

The Boy with the Arab Strap by Belle and Sebastian
The Boy with the Arab Strap — Belle and Sebastian safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 17/100.

Here's Where the Story Ends by The Sundays
Here's Where the Story Ends — The Sundays safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 21/100, versus the original's 35.

Frequently asked

What songs sound like “New Rules” by Dua Lipa?

The closest feel-matches we measure are “Brown Skin Girl” by Beyoncé, “Tracks of My Tears” by Smokey Robinson, “The Best Thing I Never Had” by Beyoncé — the top match scores 87% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “New Rules” but calmer?

“Lloyd, I'm Ready to Be Heartbroken” by Camera Obscura, “It's Too Late” by Carole King, “Fire and Rain” by James Taylor keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “New Rules”?

It measures 35/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, no sudden shifts, and soft vocals. Tempo is 116 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 23% of songs, calmer than the other 77%. Its intensity reading of 35/100 comes from a dynamic range of 7/10, layered texture, no sudden shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is deep calm: more extreme on that axis than 77% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep7/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2017 in context

The 461 songs we’ve measured from 2017 average a dynamic range of 6.0/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity35
Dynamics67
Tempo42
Surprise0
Density33
Predictability0
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

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