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10 songs that feel like Mr. P.C.

Matched to Mr. P.C. by John Coltrane on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Mr. P.C.
The song you love
Mr. P.C.
John Coltrane
intense 68/100 intensity 258 BPM
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Straight No Chaser — Thelonious Monk moderate 200 BPM

A 89% feel-match — carries the same energetic pull and lands at almost exactly the same energy (63/100).

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Fire Waltz — Mal Waldron moderate 180 BPM

86% match across our 8 measured dimensions; it sits a little calmer at 55/100.

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Etude Op. 25 No 11 — Chopin intense 176 BPM

Keeps the same intense pull — lands at almost exactly the same energy (68/100). Measured 87% alike.

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Trepak — Pyotr Ilyich Tchaikovsky intense 180 BPM

Measures 86% the same. It lands at almost exactly the same energy (63/100).

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Losfer Words (Big 'Orra) — Iron Maiden intense 170 BPM

A 85% feel-match — carries the same intense pull and sits a little calmer at 60/100.

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Transylvania — Iron Maiden intense 160 BPM

84% match across our 8 measured dimensions; it sits a little calmer at 60/100.

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Taking Control — Aphex Twin intense 160 BPM

Keeps the same intense pull — sits a little calmer at 60/100. Measured 84% alike.

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He's a Pirate — Hans Zimmer intense 170 BPM

Measures 83% the same. It sits a little calmer at 60/100.

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Drumming — Steve Reich intense 180 BPM

A 84% feel-match — carries the same energetic pull and sits a little calmer at 60/100.

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Brilliant Corners — Thelonious Monk moderate 180 BPM

79% match across our 8 measured dimensions; it lands at almost exactly the same energy (69/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Mr. P.C. is more than you want right now.

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Saxophone Colossus — Sonny Rollins moderate 140 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 49/100, down from 68.

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Forerunner — Ornette Coleman moderate 120 BPM

It measures markedly calmer overall, so it lands at 54/100 — the pull without the edge.

A Question of Time by Depeche Mode
A Question of Time — Depeche Mode moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 53/100.

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Relentless Logic — Faithless moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 49/100, versus the original's 68.

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Inception — McCoy Tyner moderate 120 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 50/100, down from 68.

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Human Performance — Parquet Courts moderate 120 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 49/100 — the pull without the edge.

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On the Other Side — The Strokes moderate 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 49/100.

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Strange Timez — Gorillaz moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 49/100, versus the original's 68.

Frequently asked

What songs sound like “Mr. P.C.” by John Coltrane?

The closest feel-matches we measure are “Straight No Chaser” by Thelonious Monk, “Fire Waltz” by Mal Waldron, “Etude Op. 25 No 11” by Chopin — the top match scores 89% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Mr. P.C.” but calmer?

“Saxophone Colossus” by Sonny Rollins, “Forerunner” by Ornette Coleman, “A Question of Time” by Depeche Mode keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Mr. P.C.”?

It measures 68/100 on our intensity scale, computed from a dynamic range of 8/10, complex texture, moderate sudden shifts, and instrumental. Tempo is 258 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 88% of the 19,209 songs we've measured. Its intensity reading of 68/100 comes from a dynamic range of 8/10, complex texture, moderate shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

Same feeling, calmer: Fire Waltz — Mal Waldron

What it’s good for

Sleep0/10
Focus4/10
Workout5/10
Dinner5/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1959 in context

The 96 songs we’ve measured from 1959 average a dynamic range of 5.9/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity68
Dynamics78
Tempo100
Surprise50
Density60
Predictability50
Vocal force0
Trigger load38

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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