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10 songs that feel like Me and the Devil Blues

Matched to Me and the Devil Blues by Robert Johnson on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Me and the Devil Blues
Robert Johnson
moderate 48/100 intensity 70 BPM
Retrograde — James Blake moderate 70 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (70 BPM).

The Wilhelm Scream — James Blake moderate 70 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

Zoe Jane — Staind moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (70 BPM).

I Miss You — Ledisi moderate 70 BPM

Measures 99% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

Burden — Opeth moderate 70 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (70 BPM).

Song For Orphans — Bruce Springsteen moderate 72 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

Heaven Beside You — Alice in Chains moderate 75 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (75 BPM).

Sundown — Son House moderate 75 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Immortality — Pearl Jam moderate 80 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (49/100).

History — The Verve moderate 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Me and the Devil Blues is more than you want right now.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 12/100, down from 48. Nearly the same tempo, too.

If You Could Read My Mind by Gordon Lightfoot
If You Could Read My Mind — Gordon Lightfoot safe 85 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 16/100 — the pull without the edge.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 32/100. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 48. Nearly the same tempo, too.

Champagne Problems by Taylor Swift
Champagne Problems — Taylor Swift safe 68 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 27/100, down from 48. Nearly the same tempo, too.

Everybody Hurts — R.E.M. safe 75 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 23/100. Nearly the same tempo, too.

Right Where You Left Me by Taylor Swift
Right Where You Left Me — Taylor Swift safe 68 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 18/100, versus the original's 48. Nearly the same tempo, too.

Frequently asked

What songs sound like “Me and the Devil Blues” by Robert Johnson?

The closest feel-matches we measure are “Retrograde” by James Blake, “The Wilhelm Scream” by James Blake, “Zoe Jane” by Staind — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Me and the Devil Blues” but calmer?

“Blowin' in the Wind” by Bob Dylan, “If You Could Read My Mind” by Gordon Lightfoot, “Please, Please, Please” by James Brown keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Me and the Devil Blues”?

It measures 48/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 70 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 52% of songs, calmer than the other 48%. Its intensity reading of 48/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus8/10
Workout3/10
Dinner7/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1961 in context

The 55 songs we’ve measured from 1961 average a dynamic range of 5.8/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity48
Dynamics67
Tempo17
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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