← Back to Kong

10 songs that feel like Kong

Matched to Kong by Bonobo on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Kong
The song you love
Kong
Bonobo
moderate 36/100 intensity 90 BPM
Rey's Theme — John Williams safe 90 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100). Nearly the same tempo, too (90 BPM).

Egon Schiele — Rachel's moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same layered texture.

Professor Backwards — Rachel's moderate 90 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (36/100). Measured 99% alike. Nearly the same tempo, too (90 BPM).

All Melody — Nils Frahm safe 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (36/100). Same layered texture.

Water from an Ancient Well — Abdullah Ibrahim safe 90 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100). Nearly the same tempo, too (90 BPM).

Heat Miser — Massive Attack moderate 82 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same layered texture.

I Feel So Good — Dirty Three moderate 80 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (36/100). Measured 98% alike.

Spike Driver Blues — Rachel's moderate 80 BPM

Measures 98% the same. It lands at almost exactly the same energy (36/100). Same layered texture.

Automates — Johann Johannsson moderate 80 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100).

Rabo de Nube — Charles Lloyd moderate 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Kong is more than you want right now.

Kind of Blue by Miles Davis
Kind of Blue — Miles Davis safe 90 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 22/100, down from 36. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Its dynamic range stays a gentler 3 where the original climbs to 6, so it lands at 12/100 — the pull without the edge. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100. Nearly the same tempo, too.

Thumbing My Way by Pearl Jam
Thumbing My Way — Pearl Jam safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 36. Nearly the same tempo, too.

Tranquility Base Hotel + Casino by Arctic Monkeys
Tranquility Base Hotel + Casino — Arctic Monkeys safe 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 6. Intensity 13/100, down from 36. Nearly the same tempo, too.

Mr. Schwartz by Arctic Monkeys
Mr. Schwartz — Arctic Monkeys safe 85 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 16/100 — the pull without the edge. Nearly the same tempo, too.

Marion by Bon Iver
Marion — Bon Iver safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 12/100.

In My Secret Life — Leonard Cohen safe 82 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 36. Nearly the same tempo, too.

Frequently asked

What songs sound like “Kong” by Bonobo?

The closest feel-matches we measure are “Rey's Theme” by John Williams, “Egon Schiele” by Rachel's, “Professor Backwards” by Rachel's — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Kong” but calmer?

“Kind of Blue” by Miles Davis, “Blowin' in the Wind” by Bob Dylan, “If I Were a Boy” by Beyoncé keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Kong”?

It measures 36/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and instrumental. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 24% of songs, calmer than the other 76%. Its intensity reading of 36/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2010 in context

The 254 songs we’ve measured from 2010 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity36
Dynamics56
Tempo28
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →