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10 songs that feel like Jeremy

Matched to Jeremy by Pearl Jam on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Jeremy
The song you love
Jeremy
Pearl Jam
intense 83/100 intensity 75 BPM
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All Too Well (10 Minute Version) — Taylor Swift intense 77 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (83/100). Nearly the same tempo, too (77 BPM).

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It's All Coming Back to Me Now — Celine Dion intense 82 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (83/100). Same complex texture.

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Keeps the same cathartic pull — lands at almost exactly the same energy (83/100). Measured 99% alike. Nearly the same tempo, too (80 BPM).

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Happier Than Ever — Billie Eilish intense 80 BPM

Measures 99% the same. It lands at almost exactly the same energy (83/100). Same complex texture.

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Ode to Sleep — Twenty One Pilots intense 70 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (82/100). Nearly the same tempo, too (70 BPM).

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Chandelier — Sia intense 102 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (85/100). Same complex texture.

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Fake Love — BTS intense 90 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (84/100). Measured 97% alike.

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Freak on a Leash — Korn intense 95 BPM

Measures 96% the same. It lands at almost exactly the same energy (84/100). Same complex texture.

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Praise God — Kanye West intense 83 BPM

A 96% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (79/100). Nearly the same tempo, too (83 BPM).

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Papa Was a Rollin' Stone — The Temptations intense 66 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (82/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Jeremy is more than you want right now.

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Broken Halos — Chris Stapleton safe 70 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 9. Intensity 15/100, down from 83. Nearly the same tempo, too.

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Fine Again — Seether moderate 90 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 50/100 — the pull without the edge.

Prelude in C Sharp Minor, Op. 3 No. 2 by Sergei Rachmaninoff
Prelude in C Sharp Minor, Op. 3 No. 2 — Sergei Rachmaninoff moderate 66 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 38/100. Nearly the same tempo, too.

Fantasie in F Minor, D. 940 by Franz Schubert
Fantasie in F Minor, D. 940 — Franz Schubert moderate 80 BPM

Holds the same feel while it measures markedly calmer overall. 50/100, versus the original's 83. Nearly the same tempo, too.

Die schöne Müllerin by Franz Schubert
Die schöne Müllerin — Franz Schubert moderate 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 57/100, down from 83.

Hard Feelings/Loveless by Lorde
Hard Feelings/Loveless — Lorde moderate 74 BPM

Its dynamic range stays a gentler 6 where the original climbs to 9, so it lands at 52/100 — the pull without the edge. Nearly the same tempo, too.

Light Blue by Snail Mail
Light Blue — Snail Mail moderate 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 9. Reads 45/100. Nearly the same tempo, too.

Where Do We Go by Solange
Where Do We Go — Solange moderate 85 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 9. 34/100, versus the original's 83. Nearly the same tempo, too.

Frequently asked

What songs sound like “Jeremy” by Pearl Jam?

The closest feel-matches we measure are “All Too Well (10 Minute Version)” by Taylor Swift, “It's All Coming Back to Me Now” by Celine Dion, “Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: I. Moderato” by Sergei Rachmaninoff — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Jeremy” but calmer?

“Broken Halos” by Chris Stapleton, “Fine Again” by Seether, “Prelude in C Sharp Minor, Op. 3 No. 2” by Sergei Rachmaninoff keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Jeremy”?

It measures 83/100 on our intensity scale, computed from a dynamic range of 9/10, complex texture, frequent sudden shifts, and dynamic vocals. Tempo is 75 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 95% of the 19,209 songs we've measured. Its intensity reading of 83/100 comes from a dynamic range of 9/10, complex texture, frequent shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus1/10
Workout6/10
Dinner4/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1991 in context

The 266 songs we’ve measured from 1991 average a dynamic range of 6.8/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity83
Dynamics89
Tempo19
Surprise75
Density60
Predictability100
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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