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10 songs that feel like It's a Man's Man's Man's World

Matched to It's a Man's Man's Man's World by James Brown on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

It's a Man's Man's Man's World
The song you love
It's a Man's Man's Man's World
James Brown
moderate 46/100 intensity 60 BPM
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Run to You — Whitney Houston moderate 66 BPM

A 96% feel-match — carries the same intimate pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (66 BPM).

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Mr. Intentional — Lauryn Hill moderate 72 BPM

90% match across our 8 measured dimensions; it sits a little calmer at 40/100. Same smooth texture.

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Maybe I'm Amazed — Paul McCartney safe 72 BPM

Keeps the same intimate pull — lands at almost exactly the same energy (45/100). Measured 98% alike.

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Whispers — Jackie Wilson moderate 70 BPM

Measures 91% the same. It sits a little calmer at 40/100. Same smooth texture.

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World We Created — Giveon moderate 75 BPM

A 90% feel-match — carries the same emotional pull and sits a little calmer at 40/100.

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I Wanna Be Loved — Eric Benet moderate 80 BPM

90% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same smooth texture.

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Don't Take the Girl — Tim McGraw moderate 80 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (41/100). Measured 90% alike.

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Star Spangled Banner — Marvin Gaye moderate 85 BPM

Measures 92% the same. It lands at almost exactly the same energy (45/100). Same smooth texture.

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Only the Lonely (Know the Way I Feel) — Roy Orbison moderate 98 BPM

A 92% feel-match — carries the same emotional pull and lands at almost exactly the same energy (46/100).

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Make It to Me — Sam Smith moderate 90 BPM

92% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same smooth texture.

…and if you want it calmer

Same feeling, measured gentler — for when It's a Man's Man's Man's World is more than you want right now.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 2 where the original climbs to 8. Intensity 8/100, down from 46.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 32/100 — the pull without the edge.

Please, Please, Please Let Me Get What I Want by The Smiths

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 23/100.

Changes by Black Sabbath
Changes — Black Sabbath safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 8. 21/100, versus the original's 46.

Which Will by Nick Drake
Which Will — Nick Drake safe 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 8. Intensity 11/100, down from 46.

Quiet Eyes by Sharon Van Etten
Quiet Eyes — Sharon Van Etten safe 60 BPM

Its dynamic range stays a gentler 4 where the original climbs to 8, so it lands at 14/100 — the pull without the edge. Nearly the same tempo, too.

Halah by Mazzy Star
Halah — Mazzy Star safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 8. Reads 11/100.

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A Lack of Color — Death Cab for Cutie safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 2 where the original climbs to 8. 7/100, versus the original's 46. Nearly the same tempo, too.

Frequently asked

What songs sound like “It's a Man's Man's Man's World” by James Brown?

The closest feel-matches we measure are “Run to You” by Whitney Houston, “Mr. Intentional” by Lauryn Hill, “Maybe I'm Amazed” by Paul McCartney — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “It's a Man's Man's Man's World” but calmer?

“I Remember Everything” by John Prine, “Please, Please, Please” by James Brown, “Please, Please, Please Let Me Get What I Want” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “It's a Man's Man's Man's World”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 8/10, smooth texture, mild sudden shifts, and dynamic vocals. Tempo is 60 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 8/10, smooth texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

Same feeling, bigger: Drowning — Backstreet Boys

What it’s good for

Sleep3/10
Focus8/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1966 in context

The 166 songs we’ve measured from 1966 average a dynamic range of 6.4/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics78
Tempo11
Surprise25
Density0
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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