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10 songs that feel like It's Natural to Be Afraid

Matched to It's Natural to Be Afraid by Explosions in the Sky on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

It's Natural to Be Afraid
The song you love
It's Natural to Be Afraid
Explosions in the Sky
intense 60/100 intensity 70 BPM
Christmas Steps — Mogwai intense 80 BPM

A 98% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (60/100).

Piano Concerto No. 1 in B-flat minor, Op. 23 — Pyotr Ilyich Tchaikovsky intense 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

Trio Élégiaque No. 2 in D minor, Op. 9 — Sergei Rachmaninoff intense 60 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (60/100). Measured 98% alike.

Killing All the Flies — Mogwai intense 85 BPM

Measures 97% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

Fantasie in F Minor, D. 940 — Franz Schubert moderate 80 BPM

A 94% feel-match — carries the same cathartic pull and sits a little calmer at 50/100.

Man with a Harmonica — Ennio Morricone intense 75 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

Coriolan Overture, Op. 62 — Ludwig van Beethoven intense 88 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (60/100). Measured 96% alike.

Isle of the Dead — Sergei Rachmaninoff intense 66 BPM

Measures 96% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

Nocturne Op. 48 No. 1 — Frédéric Chopin intense 66 BPM

A 96% feel-match — carries the same emotional pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (66 BPM).

Dream Is Collapsing — Hans Zimmer intense 70 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when It's Natural to Be Afraid is more than you want right now.

Light Blue by Snail Mail
Light Blue — Snail Mail moderate 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 9. Intensity 45/100, down from 60. Nearly the same tempo, too.

Cold by Chris Stapleton
Cold — Chris Stapleton moderate 65 BPM

It eases off just enough to take the edge off, so it lands at 59/100 — the pull without the edge. Nearly the same tempo, too.

Summertime/Sometimes I Feel Like a Motherless Child by Mahalia Jackson
Summertime/Sometimes I Feel Like a Motherless Child — Mahalia Jackson moderate 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 9. Reads 45/100. Nearly the same tempo, too.

Two Hands by Big Thief
Two Hands — Big Thief moderate 85 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 57/100, versus the original's 60.

Black Sun by Death Cab for Cutie
Black Sun — Death Cab for Cutie moderate 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 57/100, down from 60.

What Sarah Said — Death Cab for Cutie moderate 85 BPM

Its dynamic range stays a gentler 5 where the original climbs to 9, so it lands at 26/100 — the pull without the edge.

Chained and Bound by Otis Redding
Chained and Bound — Otis Redding moderate 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 50/100.

I've Been Loving You Too Long (To Stop Now) by Otis Redding
I've Been Loving You Too Long (To Stop Now) — Otis Redding moderate 72 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 49/100, versus the original's 60. Nearly the same tempo, too.

Frequently asked

What songs sound like “It's Natural to Be Afraid” by Explosions in the Sky?

The closest feel-matches we measure are “Christmas Steps” by Mogwai, “Piano Concerto No. 1 in B-flat minor, Op. 23” by Pyotr Ilyich Tchaikovsky, “Trio Élégiaque No. 2 in D minor, Op. 9” by Sergei Rachmaninoff — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “It's Natural to Be Afraid” but calmer?

“Light Blue” by Snail Mail, “Cold” by Chris Stapleton, “Summertime/Sometimes I Feel Like a Motherless Child” by Mahalia Jackson keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “It's Natural to Be Afraid”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 9/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 70 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 9/10, layered texture, moderate shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus5/10
Workout4/10
Dinner6/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2007 in context

The 311 songs we’ve measured from 2007 average a dynamic range of 6.3/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics89
Tempo17
Surprise50
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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