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10 songs that feel like I Remember Clifford

Matched to I Remember Clifford by Lee Morgan on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
I Remember Clifford
Lee Morgan
moderate 40/100 intensity 90 BPM
Soledad — Astor Piazzolla moderate 90 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (40/100). Nearly the same tempo, too (90 BPM).

Step Back — Dirty Three moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (40/100). Same layered texture.

Milonga del Angel — Astor Piazzolla moderate 100 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (41/100). Measured 98% alike.

Last Horse on the Sand — Dirty Three moderate 80 BPM

Measures 98% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

Some Summers They Drop Like Flies — Dirty Three moderate 80 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (39/100).

You Greet Her Ghost — Dirty Three moderate 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

Strange Torment — Dirty Three moderate 80 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (39/100). Measured 98% alike.

Tapha Niang — Toumani Diabate moderate 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (40/100). Same layered texture.

Beni Mora — Gustav Holst moderate 90 BPM

A 99% feel-match — carries the same reflective pull and lands at almost exactly the same energy (40/100). Nearly the same tempo, too (90 BPM).

Supertwister — Camel moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (40/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when I Remember Clifford is more than you want right now.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 40. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 40. Nearly the same tempo, too.

Merry Go 'Round by Kacey Musgraves
Merry Go 'Round — Kacey Musgraves safe 85 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 40. Nearly the same tempo, too.

Brenda's Got a Baby by 2Pac
Brenda's Got a Baby — 2Pac safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

Sky's the Limit by The Notorious B.I.G.
Sky's the Limit — The Notorious B.I.G. safe 88 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 36/100. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 40.

Frequently asked

What songs sound like “I Remember Clifford” by Lee Morgan?

The closest feel-matches we measure are “Soledad” by Astor Piazzolla, “Step Back” by Dirty Three, “Milonga del Angel” by Astor Piazzolla — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “I Remember Clifford” but calmer?

“Both Sides, Now” by Joni Mitchell, “Sittin' On The Dock of the Bay” by Otis Redding, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “I Remember Clifford”?

It measures 40/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 34% of songs, calmer than the other 66%. Its intensity reading of 40/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 71% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1966 in context

The 166 songs we’ve measured from 1966 average a dynamic range of 6.4/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity40
Dynamics67
Tempo28
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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