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10 songs that feel like I Don't Wanna Be Funny Anymore
Matched to I Don't Wanna Be Funny Anymore by Lucy Dacus on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (128 BPM).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.
Keeps the same rebellious pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (130 BPM).
Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.
A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (135 BPM).
98% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.
Keeps the same rebellious pull — lands at almost exactly the same energy (49/100). Measured 98% alike. Nearly the same tempo, too (120 BPM).
Measures 98% the same. It lands at almost exactly the same energy (49/100). Same layered texture.
A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (128 BPM).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.
…and if you want it calmer
Same feeling, measured gentler — for when I Don't Wanna Be Funny Anymore is more than you want right now.
Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 30/100, down from 50.
Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100. Nearly the same tempo, too.
Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 50.
Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 20/100, down from 50. Nearly the same tempo, too.
Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 19/100. Nearly the same tempo, too.
Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 19/100, versus the original's 50. Nearly the same tempo, too.
Frequently asked
What songs sound like “I Don't Wanna Be Funny Anymore” by Lucy Dacus?
The closest feel-matches we measure are “Asking Me Lies” by The Replacements, “Ohio” by Crosby, Stills, Nash & Young, “Just Like Tom Thumb's Blues” by Bob Dylan — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “I Don't Wanna Be Funny Anymore” but calmer?
“Don't Think Twice, It's All Right” by Bob Dylan, “It's Too Late” by Carole King, “Oh Daddy” by Fleetwood Mac keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “I Don't Wanna Be Funny Anymore”?
It measures 50/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 128 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a fast, driving tempo: more extreme on that axis than 84% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
2016 in context
The 368 songs we’ve measured from 2016 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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