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10 songs that feel like High Hopes

Matched to High Hopes by Pink Floyd on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

High Hopes
The song you love
High Hopes
Pink Floyd
moderate 43/100 intensity 90 BPM
Moonlight on the River — Mac DeMarco moderate 100 BPM

A 92% feel-match — carries the same nostalgic pull and sits a little calmer at 36/100.

Milano — Sigur Rós moderate 80 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

The Greatest — Lana Del Rey moderate 78 BPM

Keeps the same nostalgic pull — sits a little calmer at 34/100. Measured 90% alike.

Lust for Life — Lana Del Rey moderate 110 BPM

Measures 91% the same. It sits a little calmer at 37/100. Same layered texture.

Fourth of July — Galaxie 500 moderate 110 BPM

A 91% feel-match — carries the same nostalgic pull and sits a little calmer at 37/100.

The Sound of Settling — Death Cab for Cutie moderate 128 BPM

88% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

Rocket Love — Stevie Wonder moderate 72 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 94% alike.

10 Mile Stereo — Beach House safe 90 BPM

Measures 92% the same. It sits a little calmer at 35/100. Same layered texture.

Born to Die — Lana Del Rey moderate 128 BPM

A 89% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (39/100).

A Movie Script Ending — Death Cab for Cutie safe 120 BPM

86% match across our 8 measured dimensions; it sits a little calmer at 34/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when High Hopes is more than you want right now.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 27/100, down from 43. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 8, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

Sky's the Limit by The Notorious B.I.G.
Sky's the Limit — The Notorious B.I.G. safe 88 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 36/100. Nearly the same tempo, too.

It's Good to Be King by Tom Petty
It's Good to Be King — Tom Petty safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 24/100, versus the original's 43. Nearly the same tempo, too.

Tangerine by Led Zeppelin
Tangerine — Led Zeppelin safe 78 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 8. Intensity 16/100, down from 43.

Million Years Ago by Adele
Million Years Ago — Adele safe 78 BPM

Its dynamic range stays a gentler 4 where the original climbs to 8, so it lands at 16/100 — the pull without the edge.

Pink + White by Frank Ocean
Pink + White — Frank Ocean safe 82 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 8. Reads 16/100. Nearly the same tempo, too.

Skyline To by Frank Ocean
Skyline To — Frank Ocean safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 24/100, versus the original's 43. Nearly the same tempo, too.

Frequently asked

What songs sound like “High Hopes” by Pink Floyd?

The closest feel-matches we measure are “Moonlight on the River” by Mac DeMarco, “Milano” by Sigur Rós, “The Greatest” by Lana Del Rey — the top match scores 92% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “High Hopes” but calmer?

“Both Sides, Now” by Joni Mitchell, “Sittin' On The Dock of the Bay” by Otis Redding, “Sky's the Limit” by The Notorious B.I.G. keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “High Hopes”?

It measures 43/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 39% of songs, calmer than the other 61%. Its intensity reading of 43/100 comes from a dynamic range of 8/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 80% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1994 in context

The 365 songs we’ve measured from 1994 average a dynamic range of 6.7/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity43
Dynamics78
Tempo28
Surprise25
Density33
Predictability0
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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