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10 songs that feel like Hey Hey, My My (Into the Black)

Matched to Hey Hey, My My (Into the Black) by Neil Young on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Hey Hey, My My (Into the Black)
The song you love
Hey Hey, My My (Into the Black)
Neil Young
moderate 61/100 intensity 128 BPM
Orange Crush — R.E.M. moderate 125 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (125 BPM).

Convincing — Wet Leg moderate 130 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

Neighborhood #4 (7 Kettles) — Arcade Fire moderate 126 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (60/100). Measured 99% alike. Nearly the same tempo, too (126 BPM).

Summer Cannibals — Patti Smith intense 132 BPM

Measures 99% the same. It lands at almost exactly the same energy (61/100). Same layered texture.

Your Body — Christina Aguilera intense 123 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (123 BPM).

Bang and Blame — R.E.M. moderate 122 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

Dangerous Animals — Arctic Monkeys intense 135 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (61/100). Measured 99% alike. Nearly the same tempo, too (135 BPM).

Say Hello to the Angels — Interpol intense 135 BPM

Measures 99% the same. It lands at almost exactly the same energy (61/100). Same layered texture.

Abacab — Genesis moderate 136 BPM

A 98% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (61/100). Nearly the same tempo, too (136 BPM).

Take Me to the Pilot — Elton John moderate 120 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Hey Hey, My My (Into the Black) is more than you want right now.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 41/100, down from 61. Nearly the same tempo, too.

De Do Do Do, De Da Da Da by The Police
De Do Do Do, De Da Da Da — The Police safe 120 BPM

It stays in our safe band start to finish, so it lands at 41/100 — the pull without the edge. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 24/100. Nearly the same tempo, too.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Holds the same feel while nothing in it lurches or startles. 40/100, versus the original's 61. Nearly the same tempo, too.

The Less I Know the Better by Tame Impala
The Less I Know the Better — Tame Impala safe 116 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 29/100, down from 61.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

Let's Dance by David Bowie
Let's Dance — David Bowie safe 115 BPM

Holds the same feel while nothing in it lurches or startles. 38/100, versus the original's 61.

Frequently asked

What songs sound like “Hey Hey, My My (Into the Black)” by Neil Young?

The closest feel-matches we measure are “Orange Crush” by R.E.M., “Convincing” by Wet Leg, “Neighborhood #4 (7 Kettles)” by Arcade Fire — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Hey Hey, My My (Into the Black)” but calmer?

“Monday Morning” by Fleetwood Mac, “De Do Do Do, De Da Da Da” by The Police, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Hey Hey, My My (Into the Black)”?

It measures 61/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 128 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 81% of the 19,209 songs we've measured. Its intensity reading of 61/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 84% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout7/10
Dinner6/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1979 in context

The 245 songs we’ve measured from 1979 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity61
Dynamics67
Tempo49
Surprise50
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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