← Back to Heaven Knows I'm Miserable Now

10 songs that feel like Heaven Knows I'm Miserable Now

Matched to Heaven Knows I'm Miserable Now by The Smiths on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Heaven Knows I'm Miserable Now
The song you love
Heaven Knows I'm Miserable Now
The Smiths
moderate 46/100 intensity 120 BPM
The Desert Music — Steve Reich moderate 120 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (120 BPM).

Lost in the Supermarket — The Clash moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

Working for the Man — Roy Orbison moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (46/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

'Cause I'm a Man — Tame Impala moderate 115 BPM

Measures 99% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

NYC — Interpol moderate 126 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (47/100). Nearly the same tempo, too (126 BPM).

Here Comes the Rain Again — Eurythmics moderate 126 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

Keeps the same sardonic pull — lands at almost exactly the same energy (50/100). Measured 80% alike.

I Think I'll Just Stay Here and Drink — Merle Haggard moderate 92 BPM

Measures 94% the same. It lands at almost exactly the same energy (44/100). Same layered texture.

Saving Grace — Tom Petty moderate 124 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (124 BPM).

Cold Rain and Snow — Grateful Dead moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Heaven Knows I'm Miserable Now is more than you want right now.

Überlin by R.E.M.
Überlin — R.E.M. safe 92 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 17/100, down from 46.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

Seigfried by Frank Ocean
Seigfried — Frank Ocean safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 33/100. Nearly the same tempo, too.

People's Parties by Joni Mitchell
People's Parties — Joni Mitchell safe 110 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 24/100, versus the original's 46. Nearly the same tempo, too.

Man on the Moon by R.E.M.
Man on the Moon — R.E.M. safe 115 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 19/100, down from 46. Nearly the same tempo, too.

New Test Leper by R.E.M.
New Test Leper — R.E.M. safe 110 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

Vicar in a Tutu — The Smiths safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 27/100. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 46.

Frequently asked

What songs sound like “Heaven Knows I'm Miserable Now” by The Smiths?

The closest feel-matches we measure are “The Desert Music” by Steve Reich, “Lost in the Supermarket” by The Clash, “Working for the Man” by Roy Orbison — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Heaven Knows I'm Miserable Now” but calmer?

“Überlin” by R.E.M., “It's Too Late” by Carole King, “Seigfried” by Frank Ocean keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Heaven Knows I'm Miserable Now”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1984 in context

The 222 songs we’ve measured from 1984 average a dynamic range of 6.7/10. At 6/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics56
Tempo44
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →