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10 songs that feel like Going Backwards

Matched to Going Backwards by Depeche Mode on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Going Backwards
The song you love
Going Backwards
Depeche Mode
intense 63/100 intensity 115 BPM
Dear Father — Black Sabbath intense 95 BPM

A 96% feel-match — carries the same aggressive pull and lands at almost exactly the same energy (61/100).

El Dorado — Iron Maiden intense 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (64/100). Same layered texture.

Bye Bye Badman — The Stone Roses intense 110 BPM

Keeps the same aggressive pull — lands at almost exactly the same energy (63/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

Cherub Rock — Smashing Pumpkins intense 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (64/100). Same layered texture.

I'll Stick Around — Foo Fighters intense 120 BPM

A 99% feel-match — carries the same aggressive pull and lands at almost exactly the same energy (64/100). Nearly the same tempo, too (120 BPM).

Nothing at All — Foo Fighters intense 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (64/100). Same layered texture.

Demon Fire — AC/DC intense 120 BPM

Keeps the same aggressive pull — lands at almost exactly the same energy (64/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Lagartija Nick — Bauhaus intense 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (64/100). Same layered texture.

Deer Dance — System of a Down intense 120 BPM

A 99% feel-match — carries the same aggressive pull and lands at almost exactly the same energy (64/100). Nearly the same tempo, too (120 BPM).

Darkness on the Edge of Town — Bruce Springsteen intense 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (63/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Going Backwards is more than you want right now.

Woman in Chains by Tears for Fears
Woman in Chains — Tears for Fears moderate 104 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 58/100, down from 63.

Hateful by The Clash
Hateful — The Clash moderate 120 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 49/100 — the pull without the edge. Nearly the same tempo, too.

Ohio — Crosby, Stills, Nash & Young moderate 128 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 50/100.

Bring the Boys Back Home by Pink Floyd
Bring the Boys Back Home — Pink Floyd moderate 120 BPM

Holds the same feel while it eases off just enough to take the edge off. 60/100, versus the original's 63. Nearly the same tempo, too.

Meat Is Murder by The Smiths
Meat Is Murder — The Smiths moderate 95 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 58/100, down from 63.

Monkey Gone to Heaven by Pixies
Monkey Gone to Heaven — Pixies moderate 120 BPM

It eases off just enough to take the edge off, so it lands at 60/100 — the pull without the edge. Nearly the same tempo, too.

Pearly* — Radiohead moderate 120 BPM

If it's the same feel you're after, this delivers it while it eases off just enough to take the edge off. Reads 60/100. Nearly the same tempo, too.

Palo Alto by Radiohead
Palo Alto — Radiohead moderate 120 BPM

Holds the same feel while it eases off just enough to take the edge off. 64/100, versus the original's 63. Nearly the same tempo, too.

Frequently asked

What songs sound like “Going Backwards” by Depeche Mode?

The closest feel-matches we measure are “Dear Father” by Black Sabbath, “El Dorado” by Iron Maiden, “Bye Bye Badman” by The Stone Roses — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Going Backwards” but calmer?

“Woman in Chains” by Tears for Fears, “Hateful” by The Clash, “Ohio” by Crosby, Stills, Nash & Young keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Going Backwards”?

It measures 63/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 115 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 83% of the 19,209 songs we've measured. Its intensity reading of 63/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 83% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout4/10
Dinner6/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2017 in context

The 461 songs we’ve measured from 2017 average a dynamic range of 6.0/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity63
Dynamics78
Tempo42
Surprise50
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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