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10 songs that feel like Girl

Matched to Girl by Jamie xx on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Girl
The song you love
Girl
Jamie xx
moderate 44/100 intensity 128 BPM
That Was Your Mother — Paul Simon moderate 135 BPM

A 99% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (135 BPM).

Closing Time — Leonard Cohen moderate 112 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

Moonlight — Disclosure moderate 125 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (43/100). Measured 99% alike. Nearly the same tempo, too (125 BPM).

For Love — Lush moderate 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

Bad Sneakers — Steely Dan moderate 120 BPM

A 94% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (120 BPM).

The Guns of Brixton — The Clash moderate 132 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (44/100). Same layered texture.

Parklife — Blur moderate 160 BPM

Keeps the same nostalgic pull — lands at almost exactly the same energy (47/100). Measured 94% alike.

Tango Till They're Sore — Tom Waits moderate 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

We Are the Music Makers — Aphex Twin moderate 120 BPM

A 98% feel-match — carries the same introspective pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (120 BPM).

What's Good (The Thesis) — Lou Reed moderate 120 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Girl is more than you want right now.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 41/100, down from 44. Nearly the same tempo, too.

White Ferrari by Frank Ocean
White Ferrari — Frank Ocean safe 120 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 20/100. Nearly the same tempo, too.

Halloween — Phoebe Bridgers safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 19/100, versus the original's 44. Nearly the same tempo, too.

10:15 Saturday Night by The Cure
10:15 Saturday Night — The Cure safe 128 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 20/100, down from 44. Nearly the same tempo, too.

Man on the Moon by R.E.M.
Man on the Moon — R.E.M. safe 115 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge.

Green Gloves by The National
Green Gloves — The National safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100. Nearly the same tempo, too.

Merry Christmas Mr. Lawrence by Ryuichi Sakamoto
Merry Christmas Mr. Lawrence — Ryuichi Sakamoto safe 70 BPM

Holds the same feel while it stays in our safe band start to finish. 38/100, versus the original's 44.

Frequently asked

What songs sound like “Girl” by Jamie xx?

The closest feel-matches we measure are “That Was Your Mother” by Paul Simon, “Closing Time” by Leonard Cohen, “Moonlight” by Disclosure — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Girl” but calmer?

“Monday Morning” by Fleetwood Mac, “White Ferrari” by Frank Ocean, “The Predatory Wasp of the Palisades Is Out to Get Us” by Sufjan Stevens keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Girl”?

It measures 44/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and spoken word. Tempo is 128 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 41% of songs, calmer than the other 59%. Its intensity reading of 44/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and spoken word. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 84% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2015 in context

The 373 songs we’ve measured from 2015 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity44
Dynamics56
Tempo49
Surprise25
Density33
Predictability50
Vocal force40
Trigger load13

The 8-dimension measurement behind every rating on this page.

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