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10 songs that feel like Five Eight and Ten

Matched to Five Eight and Ten by Mineral on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Five Eight and Ten
The song you love
Five Eight and Ten
Mineral
moderate 53/100 intensity 120 BPM
Suburban War — Arcade Fire moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (120 BPM).

Addictions — Lucy Dacus moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

Seven — Sunny Day Real Estate moderate 120 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (53/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

48 — Sunny Day Real Estate moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

Pieces — Dinosaur Jr moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (120 BPM).

Such Blinding Stars — Cursive moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

Rain Song — Sunny Day Real Estate moderate 120 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (53/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Yellow and Green — Baroness moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

Beautiful Son — Cave In moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (120 BPM).

Summer's End — Foo Fighters moderate 124 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Five Eight and Ten is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 53. Nearly the same tempo, too.

Oh Daddy by Fleetwood Mac
Oh Daddy — Fleetwood Mac safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Dumb — Nirvana safe 110 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 19/100. Nearly the same tempo, too.

You Know I Should Be Leaving Soon — American Football safe 120 BPM

Holds the same feel while it stays in our safe band start to finish. 41/100, versus the original's 53. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 53.

Brenda's Got a Baby by 2Pac
Brenda's Got a Baby — 2Pac safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge.

Please, Please, Please Let Me Get What I Want by The Smiths

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100.

The 1 by Taylor Swift
The 1 — Taylor Swift safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 24/100, versus the original's 53.

Frequently asked

What songs sound like “Five Eight and Ten” by Mineral?

The closest feel-matches we measure are “Suburban War” by Arcade Fire, “Addictions” by Lucy Dacus, “Seven” by Sunny Day Real Estate — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Five Eight and Ten” but calmer?

“It's Too Late” by Carole King, “Oh Daddy” by Fleetwood Mac, “Dumb” by Nirvana keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Five Eight and Ten”?

It measures 53/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 69% of songs, calmer than the other 31%. Its intensity reading of 53/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 69% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1998 in context

The 339 songs we’ve measured from 1998 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity53
Dynamics67
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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