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10 songs that feel like The Only Moment We Were Alone

Matched to The Only Moment We Were Alone by Explosions in the Sky on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The Only Moment We Were Alone
The song you love
The Only Moment We Were Alone
Explosions in the Sky
intense 73/100 intensity 80 BPM
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Raga Todi — Ravi Shankar intense 70 BPM

A 98% feel-match — carries the same feel and lands at almost exactly the same energy (72/100).

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98% match across our 8 measured dimensions; it lands at almost exactly the same energy (74/100). Same complex texture.

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Symphony No. 7 — Gustav Mahler intense 80 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (73/100). Measured 96% alike. Nearly the same tempo, too (80 BPM).

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The Cowboy — Godspeed You! Black Emperor intense 80 BPM

Measures 96% the same. It lands at almost exactly the same energy (73/100). Same complex texture.

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Ballade No 1 in G Minor — Frédéric Chopin moderate 100 BPM

A 94% feel-match — carries the same introspective pull and lands at almost exactly the same energy (71/100).

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Raga Malkauns — Ravi Shankar intense 60 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (71/100). Same complex texture.

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Toccata and Fugue in D Minor, BWV 565 — Johann Sebastian Bach intense 60 BPM

Keeps the same feel — lands at almost exactly the same energy (71/100). Measured 96% alike.

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The Art of Fugue, BWV 1080: Contrapunctus I — Johann Sebastian Bach intense 60 BPM

Measures 96% the same. It lands at almost exactly the same energy (71/100). Same complex texture.

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The Thing — Ennio Morricone intense 90 BPM

A 95% feel-match — carries the same feel and lands at almost exactly the same energy (70/100).

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Gaspard de la nuit — Maurice Ravel intense 120 BPM

92% match across our 8 measured dimensions; it lands at almost exactly the same energy (76/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Only Moment We Were Alone is more than you want right now.

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On My Way — Eddie Vedder safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 9. Intensity 29/100, down from 73. Nearly the same tempo, too.

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Long Way — Eddie Vedder safe 80 BPM

Its dynamic range stays a gentler 5 where the original climbs to 9, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

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You're True — Eddie Vedder safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 9. Reads 28/100. Nearly the same tempo, too.

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Alta Loma — Rachel's safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 9. 36/100, versus the original's 73. Nearly the same tempo, too.

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Music for Egon Schiele — Rachel's safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 9. Intensity 36/100, down from 73. Nearly the same tempo, too.

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Wintersong — Rachel's safe 70 BPM

Its dynamic range stays a gentler 6 where the original climbs to 9, so it lands at 37/100 — the pull without the edge. Nearly the same tempo, too.

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Water from the Same Source — Rachel's safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 9. Reads 32/100. Nearly the same tempo, too.

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The Sea and the Bells — Rachel's safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 9. 35/100, versus the original's 73. Nearly the same tempo, too.

Frequently asked

What songs sound like “The Only Moment We Were Alone” by Explosions in the Sky?

The closest feel-matches we measure are “Raga Todi” by Ravi Shankar, “Allegro from Cello Concerto in E minor, Op. 85” by Yo-Yo Ma, “Symphony No. 7” by Gustav Mahler — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Only Moment We Were Alone” but calmer?

“On My Way” by Eddie Vedder, “Long Way” by Eddie Vedder, “You're True” by Eddie Vedder keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Only Moment We Were Alone”?

It measures 73/100 on our intensity scale, computed from a dynamic range of 9/10, complex texture, frequent sudden shifts, and instrumental. Tempo is 80 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 91% of the 19,209 songs we've measured. Its intensity reading of 73/100 comes from a dynamic range of 9/10, complex texture, frequent shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus3/10
Workout5/10
Dinner5/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2003 in context

The 365 songs we’ve measured from 2003 average a dynamic range of 6.5/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity73
Dynamics89
Tempo22
Surprise75
Density60
Predictability100
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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