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10 songs that feel like Every Planet We Reach Is Dead

Matched to Every Planet We Reach Is Dead by Gorillaz on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Every Planet We Reach Is Dead
Gorillaz
moderate 38/100 intensity 90 BPM
Videotape — Radiohead moderate 80 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (38/100).

Eveningrise — Tricky moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

Streets — Doja Cat moderate 90 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 99% alike. Nearly the same tempo, too (90 BPM).

Honeysuckle — Tricky moderate 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

In My Heart — Moby moderate 90 BPM

A 99% feel-match — carries the same introspective pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (90 BPM).

And It Rained All Night — Thom Yorke moderate 85 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

Has Ended — Thom Yorke moderate 80 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 98% alike.

Miss Misery — Elliott Smith moderate 90 BPM

Measures 96% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

Pictures of You — The Cure moderate 90 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (90 BPM).

Midnight Rain — Taylor Swift moderate 90 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Every Planet We Reach Is Dead is more than you want right now.

Everybody Hurts — R.E.M. safe 75 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 22/100, down from 38.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Its dynamic range stays a gentler 3 where the original climbs to 6, so it lands at 12/100 — the pull without the edge. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 38.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 38. Nearly the same tempo, too.

The Smallest Man Who Ever Lived by Taylor Swift
The Smallest Man Who Ever Lived — Taylor Swift safe 80 BPM

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Male Fantasy by Billie Eilish
Male Fantasy — Billie Eilish safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 26/100. Nearly the same tempo, too.

Sad Beautiful Tragic by Taylor Swift
Sad Beautiful Tragic — Taylor Swift safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 38. Nearly the same tempo, too.

Frequently asked

What songs sound like “Every Planet We Reach Is Dead” by Gorillaz?

The closest feel-matches we measure are “Videotape” by Radiohead, “Eveningrise” by Tricky, “Streets” by Doja Cat — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Every Planet We Reach Is Dead” but calmer?

“Everybody Hurts” by R.E.M., “Blowin' in the Wind” by Bob Dylan, “If I Were a Boy” by Beyoncé keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Every Planet We Reach Is Dead”?

It measures 38/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 27% of songs, calmer than the other 73%. Its intensity reading of 38/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2005 in context

The 363 songs we’ve measured from 2005 average a dynamic range of 6.2/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity38
Dynamics56
Tempo28
Surprise25
Density33
Predictability50
Vocal force25
Trigger load38

The 8-dimension measurement behind every rating on this page.

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