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10 songs that feel like Egdon Heath

Matched to Egdon Heath by Gustav Holst on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Egdon Heath
Gustav Holst
moderate 38/100 intensity 60 BPM
The Great God Pan Is Dead — Johann Johannsson moderate 60 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (60 BPM).

Funeral March — Frédéric Chopin moderate 60 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

Ases Death — Edvard Grieg moderate 60 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 99% alike. Nearly the same tempo, too (60 BPM).

En blanc et noir — Claude Debussy moderate 60 BPM

Measures 96% the same. It lands at almost exactly the same energy (34/100). Same layered texture.

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (38/100).

Six Days at the Bottom of the Ocean — Explosions in the Sky moderate 70 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

Prelude in C Sharp Minor, Op. 3 No. 2 — Sergei Rachmaninoff moderate 66 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 99% alike. Nearly the same tempo, too (66 BPM).

Separation — Camel moderate 70 BPM

Measures 95% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

Estampes — Claude Debussy moderate 60 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (60 BPM).

Images — Claude Debussy safe 60 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Egdon Heath is more than you want right now.

It Seemed the Better Way by Leonard Cohen
It Seemed the Better Way — Leonard Cohen safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 16/100, down from 38.

Love of My Life by Harry Styles
Love of My Life — Harry Styles safe 72 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 11/100 — the pull without the edge.

The Line by Bruce Springsteen
The Line — Bruce Springsteen safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 11/100. Nearly the same tempo, too.

Sweetness Follows by R.E.M.
Sweetness Follows — R.E.M. safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 15/100, versus the original's 38. Nearly the same tempo, too.

Oh My Heart by R.E.M.
Oh My Heart — R.E.M. safe 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 11/100, down from 38.

Us and Them by Pink Floyd
Us and Them — Pink Floyd safe 72 BPM

It stays in our safe band start to finish, so it lands at 29/100 — the pull without the edge.

Murder Most Foul by Bob Dylan
Murder Most Foul — Bob Dylan safe 60 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100. Nearly the same tempo, too.

Natural Mystic — Bob Marley and the Wailers safe 75 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 16/100, versus the original's 38.

Frequently asked

What songs sound like “Egdon Heath” by Gustav Holst?

The closest feel-matches we measure are “The Great God Pan Is Dead” by Johann Johannsson, “Funeral March” by Frédéric Chopin, “Ases Death” by Edvard Grieg — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Egdon Heath” but calmer?

“It Seemed the Better Way” by Leonard Cohen, “Love of My Life” by Harry Styles, “The Line” by Bruce Springsteen keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Egdon Heath”?

It measures 38/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 60 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 27% of songs, calmer than the other 73%. Its intensity reading of 38/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1927 in context

The 5 songs we’ve measured from 1927 average a dynamic range of 6.6/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity38
Dynamics67
Tempo11
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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