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10 songs that feel like Death or Glory

Matched to Death or Glory by The Clash on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Death or Glory
The song you love
Death or Glory
The Clash
moderate 55/100 intensity 145 BPM
You Were Right — Built to Spill moderate 135 BPM

A 98% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (54/100).

Long Road to Ruin — Foo Fighters moderate 145 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

Born in the 50s — The Police moderate 145 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (55/100). Measured 99% alike. Nearly the same tempo, too (145 BPM).

Friction — Television moderate 145 BPM

Measures 99% the same. It lands at almost exactly the same energy (55/100). Same layered texture.

Teddy Picker — Arctic Monkeys moderate 146 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (55/100). Nearly the same tempo, too (146 BPM).

Next Girl — The Black Keys moderate 146 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

Hurricane — Bob Dylan moderate 144 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (55/100). Measured 99% alike. Nearly the same tempo, too (144 BPM).

From a Buick 6 — Bob Dylan moderate 142 BPM

Measures 99% the same. It lands at almost exactly the same energy (55/100). Same layered texture.

What's The Rumpus? — Jack White moderate 142 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (55/100). Nearly the same tempo, too (142 BPM).

Land Ho! — The Doors moderate 142 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Death or Glory is more than you want right now.

Don't Think Twice, It's All Right by Bob Dylan
Don't Think Twice, It's All Right — Bob Dylan safe 154 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 30/100, down from 55. Nearly the same tempo, too.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

It stays in our safe band start to finish, so it lands at 39/100 — the pull without the edge.

Concerto in E-flat "Dumbarton Oaks" — Igor Stravinsky safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 35/100.

Buffalo Soldier by Bob Marley and the Wailers
Buffalo Soldier — Bob Marley and the Wailers safe 81 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 28/100, versus the original's 55.

Guiltiness by Bob Marley
Guiltiness — Bob Marley safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 24/100, down from 55.

Talkin' Bout a Revolution by Tracy Chapman
Talkin' Bout a Revolution — Tracy Chapman safe 90 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 17/100 — the pull without the edge.

Rated "X" — Loretta Lynn safe 105 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 18/100.

Whitey on the Moon by Gil Scott-Heron
Whitey on the Moon — Gil Scott-Heron safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 15/100, versus the original's 55.

Frequently asked

What songs sound like “Death or Glory” by The Clash?

The closest feel-matches we measure are “You Were Right” by Built to Spill, “Long Road to Ruin” by Foo Fighters, “Born in the 50s” by The Police — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Death or Glory” but calmer?

“Don't Think Twice, It's All Right” by Bob Dylan, “Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Death or Glory”?

It measures 55/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 145 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 75% of songs, calmer than the other 25%. Its intensity reading of 55/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 94% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout7/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1979 in context

The 245 songs we’ve measured from 1979 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity55
Dynamics67
Tempo58
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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