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10 songs that feel like Cut a Long Story Short

Matched to Cut a Long Story Short by Spandau Ballet on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Cut a Long Story Short
Spandau Ballet
moderate 49/100 intensity 120 BPM
Mustang Sally — Wilson Pickett moderate 120 BPM

A 99% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Hidden Charms — Link Wray moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

Oh L'Amour — Erasure moderate 120 BPM

Keeps the same nostalgic pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Memorabilia — Soft Cell moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Heatwave — Bronski Beat moderate 120 BPM

A 99% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

The Way You Used to Do — Queens of the Stone Age moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

Hawaii — The Strokes moderate 120 BPM

Keeps the same nostalgic pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

Days Are Gone — Haim moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

Ceremony — New Order moderate 120 BPM

A 99% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

Radio America — The Libertines moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Cut a Long Story Short is more than you want right now.

Cantaloupe Island by Herbie Hancock
Cantaloupe Island — Herbie Hancock safe 105 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 30/100, down from 49.

Me and Julio Down by the Schoolyard by Paul Simon
Me and Julio Down by the Schoolyard — Paul Simon safe 130 BPM

It stays in our safe band start to finish, so it lands at 42/100 — the pull without the edge. Nearly the same tempo, too.

Back in the U.S.A. by Chuck Berry
Back in the U.S.A. — Chuck Berry safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 35/100. Nearly the same tempo, too.

Apache — The Ventures safe 120 BPM

Holds the same feel while it stays in our safe band start to finish. 35/100, versus the original's 49. Nearly the same tempo, too.

Telstar — The Ventures safe 132 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 36/100, down from 49.

She'll Be Coming 'Round the Mountain — Traditional safe 120 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

Computer Love by Kraftwerk
Computer Love — Kraftwerk safe 110 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 19/100. Nearly the same tempo, too.

Walking on the Milky Way — Orchestral Manoeuvres in the Dark safe 118 BPM

Holds the same feel while it stays in our safe band start to finish. 33/100, versus the original's 49. Nearly the same tempo, too.

Frequently asked

What songs sound like “Cut a Long Story Short” by Spandau Ballet?

The closest feel-matches we measure are “Mustang Sally” by Wilson Pickett, “Hidden Charms” by Link Wray, “Oh L'Amour” by Erasure — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Cut a Long Story Short” but calmer?

“Cantaloupe Island” by Herbie Hancock, “Me and Julio Down by the Schoolyard” by Paul Simon, “Back in the U.S.A.” by Chuck Berry keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Cut a Long Story Short”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1981 in context

The 194 songs we’ve measured from 1981 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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