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10 songs that feel like Closedown

Matched to Closedown by The Cure on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Closedown
The Cure
moderate 35/100 intensity 85 BPM
TOMORROW — Tyler, the Creator moderate 85 BPM

A 87% feel-match — carries the same anxious pull and sits a little calmer at 26/100. Nearly the same tempo, too (85 BPM).

Pusherman — Curtis Mayfield moderate 92 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same layered texture.

Mad World — Tears for Fears moderate 92 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (36/100). Measured 99% alike. Nearly the same tempo, too (92 BPM).

Someone Great — LCD Soundsystem moderate 95 BPM

Measures 98% the same. It lands at almost exactly the same energy (36/100). Same layered texture.

Pretty Pimpin — Kurt Vile moderate 95 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100).

Shirt — SZA moderate 85 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (31/100). Same layered texture.

The Wanderer — U2 featuring Johnny Cash moderate 80 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (37/100). Measured 93% alike. Nearly the same tempo, too (80 BPM).

Sad Lisa — Cat Stevens moderate 72 BPM

Measures 95% the same. It lands at almost exactly the same energy (34/100). Same layered texture.

The Rape of the World — Tracy Chapman moderate 85 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (35/100). Nearly the same tempo, too (85 BPM).

13 Beaches — Lana Del Rey moderate 85 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (31/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Closedown is more than you want right now.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 6. Intensity 12/100, down from 35. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

Love Is Selfish by Jack White
Love Is Selfish — Jack White safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 11/100.

Hey Mister, That's Me up on the Jukebox — James Taylor safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 15/100, versus the original's 35.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 16/100, down from 35. Nearly the same tempo, too.

The Tree of Forgiveness — John Prine safe 90 BPM

Nothing in it lurches or startles, so it lands at 21/100 — the pull without the edge. Nearly the same tempo, too.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 6. Reads 8/100. Nearly the same tempo, too.

No Place to Fall by Townes Van Zandt
No Place to Fall — Townes Van Zandt safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 13/100, versus the original's 35. Nearly the same tempo, too.

Frequently asked

What songs sound like “Closedown” by The Cure?

The closest feel-matches we measure are “TOMORROW” by Tyler, the Creator, “Pusherman” by Curtis Mayfield, “Mad World” by Tears for Fears — the top match scores 87% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Closedown” but calmer?

“Blowin' in the Wind” by Bob Dylan, “If I Were a Boy” by Beyoncé, “Love Is Selfish” by Jack White keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Closedown”?

It measures 35/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 23% of songs, calmer than the other 77%. Its intensity reading of 35/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1989 in context

The 219 songs we’ve measured from 1989 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity35
Dynamics56
Tempo25
Surprise25
Density33
Predictability0
Vocal force25
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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