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10 songs that feel like Cemetry Gates

Matched to Cemetry Gates by The Smiths on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Cemetry Gates
The Smiths
moderate 46/100 intensity 120 BPM
I Think I'll Just Stay Here and Drink — Merle Haggard moderate 92 BPM

A 94% feel-match — carries the same warm pull and lands at almost exactly the same energy (44/100).

Me in Honey — R.E.M. safe 110 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

Down Where the Drunkards Roll — Richard Thompson moderate 85 BPM

Keeps the same warm pull — lands at almost exactly the same energy (43/100). Measured 93% alike.

Lost in the Supermarket — The Clash moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

'Cause I'm a Man — Tame Impala moderate 115 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (115 BPM).

The Desert Music — Steve Reich moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

Campus — Vampire Weekend safe 92 BPM

Keeps the same warm pull — lands at almost exactly the same energy (44/100). Measured 94% alike.

That's the Way of the World — Earth, Wind & Fire safe 85 BPM

Measures 92% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

Bus Route — Tyler Childers moderate 120 BPM

A 99% feel-match — carries the same warm pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (120 BPM).

Cold Rain and Snow — Grateful Dead moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Cemetry Gates is more than you want right now.

The Tree of Forgiveness — John Prine safe 90 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 21/100, down from 46.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 6. Reads 8/100.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 46.

Stay the Same by Bonobo
Stay the Same — Bonobo safe 95 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 46.

How Insensitive by Antonio Carlos Jobim
How Insensitive — Antonio Carlos Jobim safe 90 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 17/100 — the pull without the edge.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 25/100.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 46.

Frequently asked

What songs sound like “Cemetry Gates” by The Smiths?

The closest feel-matches we measure are “I Think I'll Just Stay Here and Drink” by Merle Haggard, “Me in Honey” by R.E.M., “Down Where the Drunkards Roll” by Richard Thompson — the top match scores 94% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Cemetry Gates” but calmer?

“The Tree of Forgiveness” by John Prine, “It's Too Late” by Carole King, “I Remember Everything” by John Prine keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Cemetry Gates”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1986 in context

The 223 songs we’ve measured from 1986 average a dynamic range of 6.6/10. At 6/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics56
Tempo44
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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