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10 songs that feel like Bored in the USA

Matched to Bored in the USA by Father John Misty on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Bored in the USA
The song you love
Bored in the USA
Father John Misty
moderate 38/100 intensity 70 BPM
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Sweet Old World — Lucinda Williams moderate 80 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (39/100).

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Henry Lee — Nick Cave and the Bad Seeds featuring PJ Harvey moderate 85 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Berlin — Lou Reed moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (42/100). Measured 96% alike. Nearly the same tempo, too (70 BPM).

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How Blue Can You Get — B.B. King moderate 65 BPM

Measures 96% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

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enough for you — Olivia Rodrigo moderate 75 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (42/100). Nearly the same tempo, too (75 BPM).

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Joey — Bob Dylan moderate 70 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

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Goin' Down Slow — Howlin' Wolf moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (38/100). Measured 96% alike. Nearly the same tempo, too (70 BPM).

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The Gunner's Dream — Pink Floyd moderate 60 BPM

Measures 95% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

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I Can Be That Woman — ABBA moderate 80 BPM

A 95% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100).

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Traveling Alone — Jason Isbell safe 80 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Bored in the USA is more than you want right now.

Please, Please, Please Let Me Get What I Want by The Smiths

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 38. Nearly the same tempo, too.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 5. Reads 12/100. Nearly the same tempo, too.

Merry Go 'Round by Kacey Musgraves
Merry Go 'Round — Kacey Musgraves safe 85 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 38.

It's Good to Be King by Tom Petty
It's Good to Be King — Tom Petty safe 80 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 38. Nearly the same tempo, too.

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Everybody Hurts — R.E.M. safe 75 BPM

Nothing in it lurches or startles, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

Teardrops on My Guitar by Taylor Swift
Teardrops on My Guitar — Taylor Swift safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 20/100. Nearly the same tempo, too.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 38. Nearly the same tempo, too.

Frequently asked

What songs sound like “Bored in the USA” by Father John Misty?

The closest feel-matches we measure are “Sweet Old World” by Lucinda Williams, “Henry Lee” by Nick Cave and the Bad Seeds featuring PJ Harvey, “Berlin” by Lou Reed — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Bored in the USA” but calmer?

“Please, Please, Please Let Me Get What I Want” by The Smiths, “Both Sides, Now” by Joni Mitchell, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Bored in the USA”?

It measures 38/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 70 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 27% of songs, calmer than the other 73%. Its intensity reading of 38/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2015 in context

The 373 songs we’ve measured from 2015 average a dynamic range of 6.3/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity38
Dynamics44
Tempo17
Surprise25
Density33
Predictability0
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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