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10 songs that feel like Black Sabbath

Matched to Black Sabbath by Black Sabbath on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Black Sabbath
The song you love
Black Sabbath
Black Sabbath
intense 88/100 intensity 75 BPM
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Young and Menace — Fall Out Boy intense 90 BPM

A 90% feel-match — carries the same transcendent pull and sits a little calmer at 80/100.

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Papa Was a Rollin' Stone — The Temptations intense 66 BPM

90% match across our 8 measured dimensions; it sits a little calmer at 82/100.

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Blackwater Park — Opeth intense 90 BPM

Keeps the same transcendent pull — lands at almost exactly the same energy (84/100). Measured 90% alike.

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The Nigga You Love to Hate — Ice Cube intense 85 BPM

Measures 98% the same. It lands at almost exactly the same energy (89/100). Same harsh texture.

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They Still Ain't Ready — Ice Cube intense 85 BPM

A 98% feel-match — carries the same feel and lands at almost exactly the same energy (89/100).

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Supersonic — Oasis intense 92 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (89/100). Same harsh texture.

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Keeps the same transcendent pull — lands at almost exactly the same energy (83/100). Measured 90% alike. Nearly the same tempo, too (80 BPM).

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Bohemian Rhapsody — Queen intense 72 BPM

Measures 90% the same. It sits a little calmer at 82/100.

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Mona Lisa — Lil Wayne intense 85 BPM

A 90% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (83/100).

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Cloud Nine — The Temptations intense 98 BPM

90% match across our 8 measured dimensions; it sits a little calmer at 81/100.

…and if you want it calmer

Same feeling, measured gentler — for when Black Sabbath is more than you want right now.

Perséphone by Igor Stravinsky
Perséphone — Igor Stravinsky safe 60 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 8. Intensity 26/100, down from 88.

Into the West by Annie Lennox
Into the West — Annie Lennox safe 60 BPM

Its dynamic range stays a gentler 4 where the original climbs to 8, so it lands at 14/100 — the pull without the edge.

Aeon by Antony and the Johnsons
Aeon — Antony and the Johnsons safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 8. Reads 15/100. Nearly the same tempo, too.

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Outro — M83 moderate 85 BPM

Holds the same feel while it trades the harsher texture for something layered. 42/100, versus the original's 88. Nearly the same tempo, too.

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La Cathedrale Engloutie — Claude Debussy moderate 60 BPM

Keeps the same feel of the original, but it trades the harsher texture for something layered. Intensity 41/100, down from 88.

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Adagio from Symphony No. 10 — Gustav Mahler moderate 60 BPM

It trades the harsher texture for something layered, so it lands at 41/100 — the pull without the edge.

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If it's the same feel you're after, this delivers it while it trades the harsher texture for something layered. Reads 48/100.

Detach by Hans Zimmer
Detach — Hans Zimmer moderate 60 BPM

Holds the same feel while it trades the harsher texture for something layered. 48/100, versus the original's 88.

Frequently asked

What songs sound like “Black Sabbath” by Black Sabbath?

The closest feel-matches we measure are “Young and Menace” by Fall Out Boy, “Papa Was a Rollin' Stone” by The Temptations, “Blackwater Park” by Opeth — the top match scores 90% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Black Sabbath” but calmer?

“Perséphone” by Igor Stravinsky, “Into the West” by Annie Lennox, “Aeon” by Antony and the Johnsons keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Black Sabbath”?

It measures 88/100 on our intensity scale, computed from a dynamic range of 8/10, harsh texture, frequent sudden shifts, and dynamic vocals. Tempo is 75 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 98% of the 19,209 songs we've measured. Its intensity reading of 88/100 comes from a dynamic range of 8/10, harsh texture, frequent shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 98% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus0/10
Workout6/10
Dinner3/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1970 in context

The 307 songs we’ve measured from 1970 average a dynamic range of 6.1/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity88
Dynamics78
Tempo19
Surprise75
Density85
Predictability100
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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