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10 songs that feel like Baltimore

Matched to Baltimore by Nina Simone on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Baltimore
The song you love
Baltimore
Nina Simone
moderate 57/100 intensity 90 BPM
The King of Carrot Flowers, Pt. 1 — Neutral Milk Hotel moderate 85 BPM

A 95% feel-match — carries the same warm pull and lands at almost exactly the same energy (57/100). Nearly the same tempo, too (85 BPM).

To Zion — Lauryn Hill moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (57/100). Same layered texture.

Pilot Jones — Frank Ocean moderate 92 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (57/100). Measured 99% alike. Nearly the same tempo, too (92 BPM).

Still Ill — The Smiths moderate 92 BPM

Measures 99% the same. It lands at almost exactly the same energy (57/100). Same layered texture.

You Had Your Soul With You — The National moderate 95 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (58/100). Nearly the same tempo, too (95 BPM).

Songs in the Key of Life — Stevie Wonder moderate 95 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

The Holy River — Prince moderate 85 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (57/100). Measured 99% alike. Nearly the same tempo, too (85 BPM).

Black Sun — Death Cab for Cutie moderate 85 BPM

Measures 99% the same. It lands at almost exactly the same energy (57/100). Same layered texture.

These Days — Foo Fighters moderate 95 BPM

A 96% feel-match — carries the same emotional pull and lands at almost exactly the same energy (61/100). Nearly the same tempo, too (95 BPM).

Sweet Heart Sweet Light — Spiritualized moderate 95 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Baltimore is more than you want right now.

That's the Way of the World by Earth, Wind & Fire
That's the Way of the World — Earth, Wind & Fire safe 85 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 43/100, down from 57. Nearly the same tempo, too.

The Tree of Forgiveness — John Prine safe 90 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 21/100 — the pull without the edge. Nearly the same tempo, too.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 7. Reads 8/100.

That's the Way by Led Zeppelin
That's the Way — Led Zeppelin safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 21/100, versus the original's 57.

Always with Me — Yumi Kimura safe 72 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 29/100, down from 57.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

Stay the Same by Bonobo
Stay the Same — Bonobo safe 95 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 39/100. Nearly the same tempo, too.

This Old Dog — Mac DeMarco safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 22/100, versus the original's 57. Nearly the same tempo, too.

Frequently asked

What songs sound like “Baltimore” by Nina Simone?

The closest feel-matches we measure are “The King of Carrot Flowers, Pt. 1” by Neutral Milk Hotel, “To Zion” by Lauryn Hill, “Pilot Jones” by Frank Ocean — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Baltimore” but calmer?

“That's the Way of the World” by Earth, Wind & Fire, “The Tree of Forgiveness” by John Prine, “I Remember Everything” by John Prine keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Baltimore”?

It measures 57/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 76% of songs, calmer than the other 24%. Its intensity reading of 57/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 76% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus4/10
Workout4/10
Dinner6/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1978 in context

The 214 songs we’ve measured from 1978 average a dynamic range of 6.1/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity57
Dynamics67
Tempo28
Surprise50
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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